J. Cole (Jermaine Lamarr Cole) Quotes
There's still value in a CD, even if it's just nostalgic. People are still willing to pay. But it can't compare to a digital-only release where you can control the exact time that it'll come out, you know what I mean? So whoever finds how to bridge that gap is gonna make a lot of money.
Quotes to Explore
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The fallacy of the neoclassicals is their tenet that total employment, though hit by shocks, can be said always to be heading back to some normal level.
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I've never considered myself to be a fashionista type of guy.
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I don't really feel like I have to have a debate with my husband over issues.
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I get to travel, see the world, meet people and be independent. I feel blessed.
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The artist finds, that the more he can confine his attention to a particular part of any work, his productions are the more perfect, and grow under his hands in the greater quantities.
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No good actor ever stops learning. He is constantly evolving.
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There's no handbook for parenting. So you walk a very fine line as a parent because you are civilizing these raw things. They will tip the coffee over and finger-paint on the table. At some point, you have to say, 'We're gonna have to clean that up because you don't paint with coffee on a table.'
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Local innovation and initiative can help us better understand how to protect our environment.
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It's not unusual for a would-be entrepreneur to get turned down half a dozen times before finding a willing investor - yet in most companies, it takes only one 'nyet' to kill a project stone dead.
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Possessions. The very word is potent - suggestive as it is of ownership both material and erotic. To possess. Possession. Possessed.
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I've always had this sneaking suspicion that I get a kick out of the insecurity.
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Friendship is a disinterested commerce between equals; love, an abject intercourse between tyrants and slaves.
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Change is vital to any actor. If you keep playing lead after lead, you're really gonna dry up. Because all those vehicles wean you away from the truths of human behaviour.
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You have to be quite stupid to act.
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But I'd say 'How to Make It in America' is the most accurate depiction of the New York hipster community on television for sure.
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I'm fascinated by power, especially veiled power. Shadow power. The National Security Agency. The National Reconnaissance Office. Opus Dei. The idea that everything happens for reasons we're not quite seeing.
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The ads all call me fearless, but that's just publicity. Anyone who thinks I'm not scared out of my mind whenever I do one of my stunts is crazier than I am.
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I was born in 1923 into a middle class Jewish family in Vienna, a few years after the end of World War I, which was disastrous from the Austrian point of view.
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I'm not interested in seeing dance die. It's not to my advantage. Nor is it to our culture's advantage or anybody else's.
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London has a very specific kind of style; it's very different to Milan, Paris, and New York. It's nice having that personality that we haven't lost. It's the English quirky style that people like to see when they come to Fashion Week.
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I used to feel that I spent too much of my time in my pajamas doing nothing, and I'd think 'in the time that I don't spend writing, I could raise a family of five.' In a lot of ways, being a writer is lonely and alienating.
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When people do things for you, it's because they want to - because you, in some way, give them something meaningful that makes them want to please you, not because anyone owes you anything.
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In light of these facts Republicans have put forth a variety of proposals to make Social Security remain solvent for future generations. But up to this point, Democrats have chosen to oppose our good faith efforts and insist that indeed there is no problem.
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There's still value in a CD, even if it's just nostalgic. People are still willing to pay. But it can't compare to a digital-only release where you can control the exact time that it'll come out, you know what I mean? So whoever finds how to bridge that gap is gonna make a lot of money.
