Steven Bauer Quotes
I really do like the independent way of working. You don't get much studio intrusion compared to when you're working on a big Hollywood film where there tends to always be loads of people interfering. The only problem, though, with independent features is that they are hard to sell.
Quotes to Explore
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I think studies are really important and shouldn't be compromised.
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Hip-hop is a vehicle.
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The key to winning baseball games is pitching, fundamentals, and three run homers.
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We as women have a voice and we are decision makers in what film to see. We always support our boyfriends and husbands by going to see the male dominated films, but we don't compel them to see films with female casts.
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My mother is the sort of woman who not only can raise a chicken and roast it to moist perfection but, as she proved to my openmouthed sister and me on a family holiday to Morocco when we were very young, can barter for one in a market, kill it, pluck it, and then cook it to perfection.
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My boys asked me to write beautiful letters for their ex-girls so they could get them back. I thought, 'I should be writing songs for myself.'
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People think that if you have a huge appetite, then you'll be better at it. But actually, it's how you confront the food that is brought to you. You have to be mentally and psychologically prepared.
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I think I have a strange relationship with time. I'm not really aware of that time passing. I don't feel that I'm wasteful with time. But I'm not aware of it passing.
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I'm such a carnivorous researcher as an actor - I chew it up like it's meat, and I really don't know how to do that without the people that are producing or creating or writing that which they want me to chew up.
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The general belief is that communists in the United Nations come only from the Iron Curtain countries, but this isn't so. We must remember that many of the representatives of free countries are members of the local Communist parties. If you add them all up, you will see they have an amazing degree of control.
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I just try to be myself, whatever that is. I don't think about how I'll be remembered. I just want to be consistent over a long period of time. That's what the great players do.
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When I was a kid, I wasn't making my choices based on anything other than 'Did I want to work that day?' or 'Did being in school sound more fun?' And I don't remember ever reading a script and thinking, 'Is this going to be a fun part to play?'
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The ruling in the Paula Jones case is so silly.
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When I have to promote things now, sometimes I realize that I had a movie in mind, but in the end, it's a vision of somebody else, so I have to promote their idea.
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I exercise everyday. I swim, I bike, I run and I go to the gym.
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People are willing to do the most appalling things to another person for the sake of imposing a religious belief.
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That's what we're striving for, making us a contender in every race.
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The majority of my audience has always been women.
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I was very lucky to have a mother who encouraged me to become a poet.
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What we do for a living does not matter so much as how we do it. It is the spirit in which we do our work that counts, and that counts through all eternity.
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If you're looking at people like Patrice Lumumba, you are looking at people who had a very definite plan, and events overran them.
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Hopefully, 'Inside Out' will have the longevity that those older movies have, and many years down the line, people will be able to watch it and find some kinship with it.
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I did take some value out of looking at the extreme simplicity of implementation that the tight resource limits required. I do feel that modern games are often abstracted a lot more than is really necessary, and it leads to robustness issues.
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I really do like the independent way of working. You don't get much studio intrusion compared to when you're working on a big Hollywood film where there tends to always be loads of people interfering. The only problem, though, with independent features is that they are hard to sell.
