Steven Spielberg Quotes
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I think the key divide between the interactive media and the narrative media is the difficulty in opening up an empathic pathway between the gamer and the character, as differentiated from the audience and the characters in a movie or a television show.
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The baby boomers owe a big debt of gratitude to the parents and grandparents - who we haven't given enough credit to anyway - for giving us another generation.
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I love creating partnerships; I love not having to bear the entire burden of the creative storytelling, and when I have unions like with George Lucas and Peter Jackson, it's really great; not only do I benefit, but the project is better for it.
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I once said that CGI makes you less inventive. At the time I was bemoaning the loss of the practical stunt. If a stunt can be done practically and safely, I'd rather do it old-style.
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I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.
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As a Jew I am aware of how important the existence of Israel is for the survival of us all. And because I am proud of being Jewish, I am worried by the growing anti-Semitism and anti-Zionism in the world.
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In high school, I got smacked and kicked around. Two bloody noses. It was horrible.
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I even get inspired by movies that aren't very good, because there's always something good in movies that are collectively thought of as a failure. There's good in everything, I find.
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I get that same queasy, nervous, thrilling feeling every time I go to work. That's never worn off since I was 12 years-old with my dad's 8-millimeter movie camera.
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I'm very collaborative with everybody on the set.
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The world would be a poorer place without Doctor Who.
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I turned down 'Harry Potter' and 'Spider-Man,' two movies that I knew would be phenomenally successful, because I had already made movies like that before and they offered no challenge to me. I don't need my ego to be reminded.
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I committed to directing 'Catch Me If You Can' not because of the divorce component, but principally because Frank Abagnale did things that were the most astonishing scams I had ever heard.
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There is a fine line between censorship and good taste and moral responsibility.
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The older I get, the more I look at movies as a moving miracle.
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I still have pretty much the same fears I had as a kid. I'm not sure I'd want to give them up; a lot of these insecurities fuel the movies I make.
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The turning point in my career was Jaws. It was a turning point because I was a director-for-hire before Jaws and because it was such a big hit I could do any movie I wanted and Hollywood just wrote me a cheque.
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History opens up new worlds to film-makers all the time.
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Like, I took no poetic license with 'Schindler's List' because that was historical, factual documents.
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I've always been interested in UFOs.
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I basically went into business for myself. But it never amounted to anything. I learned a lot about editing and dubbing by watching all the professionals do it, but I never got a job out of my imposition.
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I don't dream at night, I dream at day, I dream all day; I'm dreaming for living.
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I made 'Empire of the Sun' in Shanghai in the 1980s and want to come back one day to make a movie in China.
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I'm as guilty as anyone, because I helped to herald the digital era with Jurassic Park. But the danger is that it can be abused to the point where nothing is eye-popping any more.