Steven Spielberg Quotes
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If the world ran the way a crew runs a set, we'd have a better, more progressive world.
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I love creating partnerships; I love not having to bear the entire burden of the creative storytelling, and when I have unions like with George Lucas and Peter Jackson, it's really great; not only do I benefit, but the project is better for it.
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The baby boomers owe a big debt of gratitude to the parents and grandparents - who we haven't given enough credit to anyway - for giving us another generation.
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I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.
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I think the key divide between the interactive media and the narrative media is the difficulty in opening up an empathic pathway between the gamer and the character, as differentiated from the audience and the characters in a movie or a television show.
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As a Jew I am aware of how important the existence of Israel is for the survival of us all. And because I am proud of being Jewish, I am worried by the growing anti-Semitism and anti-Zionism in the world.
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I get that same queasy, nervous, thrilling feeling every time I go to work. That's never worn off since I was 12 years-old with my dad's 8-millimeter movie camera.
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I even get inspired by movies that aren't very good, because there's always something good in movies that are collectively thought of as a failure. There's good in everything, I find.
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In high school, I got smacked and kicked around. Two bloody noses. It was horrible.
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I turned down 'Harry Potter' and 'Spider-Man,' two movies that I knew would be phenomenally successful, because I had already made movies like that before and they offered no challenge to me. I don't need my ego to be reminded.
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I committed to directing 'Catch Me If You Can' not because of the divorce component, but principally because Frank Abagnale did things that were the most astonishing scams I had ever heard.
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I basically went into business for myself. But it never amounted to anything. I learned a lot about editing and dubbing by watching all the professionals do it, but I never got a job out of my imposition.
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History opens up new worlds to film-makers all the time.
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I'm very collaborative with everybody on the set.
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The world would be a poorer place without Doctor Who.
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The turning point in my career was Jaws. It was a turning point because I was a director-for-hire before Jaws and because it was such a big hit I could do any movie I wanted and Hollywood just wrote me a cheque.
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I still have pretty much the same fears I had as a kid. I'm not sure I'd want to give them up; a lot of these insecurities fuel the movies I make.
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There is a fine line between censorship and good taste and moral responsibility.
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I've always been interested in UFOs.
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Like, I took no poetic license with 'Schindler's List' because that was historical, factual documents.
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The older I get, the more I look at movies as a moving miracle.
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This whole thing about reality television to me is really indicative of America saying we're not satisfied just watching television, we want to star in our own TV shows. We want you to discover us and put us in your own TV show, and we want television to be about us, finally.
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I guess the greatest cliché we've ever heard, but the most important words spoken, is, love, you know, love your neighbor and, as you would yourself. It's a biblical term, it's important, and it's embraced by every religion and yet it seems to be a far cry from what we're experiencing today.
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I guess my first digital movie was 'Tintin' because 'Tintin' has no film step. There is no intermediate film step. It's 100% digital animation, but as far as a live-action film, I'm still planning to shoot everything on film.