- All Quotes
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I feel there is no substitute for going out to the movies. There is nothing like it.
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I interviewed survivors, I went to Poland, saw the cities and spent time with the people and spoke to the Jews who had come back to Poland after the war and talked about why they had come back.
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The person I enjoy working for more than anyone else is George Lucas. He's the best boss I ever had because he's the most talented boss I ever had.
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Lincoln believed in the American people.
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When my children were born, I made the choice I wanted them to be raised as Jews and to have a Jewish education.
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Akira Kurosawa is the pictorial William Shakespeare of our time.
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I love creating partnerships; I love not having to bear the entire burden of the creative storytelling, and when I have unions like with George Lucas and Peter Jackson, it's really great; not only do I benefit, but the project is better for it.
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I once said that CGI makes you less inventive. At the time I was bemoaning the loss of the practical stunt. If a stunt can be done practically and safely, I'd rather do it old-style.
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There are so many rumours about so many of us in the public eye. Sometimes it's too hard to deny what is not true.
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I don't think any movie or any book or any work of art can solve the stalemate in the Middle East today. But it's certainly worth a try.
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Steve Jobs was the greatest inventor since Thomas Edison. He put the world at our fingertips.
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3D needs a trained eye. It can't be done by everybody. People who just do 3D just for the sake of commercializing their movie another five or six percent and they don't know really how to do it, they should care how to do it better by bringing other directors and collaborators into their lives to help teach and instruct how you really make a 3D movie because it's not just like putting a new lens on a camera and forgetting it. It takes a lot of very careful consideration. It will change your approach to where you put the cameras. So, 3D isn't for everybody.
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When I felt like an outsider, movies made me feel inside my own skill set.
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There's no other way to learn about it, except through documentaries. I encourage documentarians to continue telling stories about World War II. I think documentaries are the greatest way to educate an entire generation that doesn't often look back to learn anything about the history that provided a safe haven for so many of us today.
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If the world ran the way a crew runs a set, we'd have a better, more progressive world.
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My filmmaking really began with technology. It began through technology, not through telling stories, because my 8mm movie camera was the way into whatever I decided to do.
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Documentaries are the first line of education, and the second line of education is dramatization, such as 'The Pacific'.
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I turned down 'Harry Potter' and 'Spider-Man,' two movies that I knew would be phenomenally successful, because I had already made movies like that before and they offered no challenge to me. I don't need my ego to be reminded.
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I still have pretty much the same fears I had as a kid. I'm not sure I'd want to give them up; a lot of these insecurities fuel the movies I make.
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There is no such thing as science fiction, there is only science eventuality.
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I think every movie I've made after 'Indiana Jones,' I've tried to make every single movie as if it was made by a different director, because I'm very conscious of not wanting to impose a consistent style on subject matter that is not necessarily suited to that style. So I try to re-invent my own eye every time I tackle a new subject.
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I'm always in favor of Israel responding strongly when it's threatened.
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This whole thing about reality television to me is really indicative of America saying we're not satisfied just watching television, we want to star in our own TV shows. We want you to discover us and put us in your own TV show, and we want television to be about us, finally.
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The baby boomers owe a big debt of gratitude to the parents and grandparents - who we haven't given enough credit to anyway - for giving us another generation.