Steven Spielberg Quotes
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It's funny, you make friends and you lose friends when you're making a movie.
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Our one goal is to give the world a taste of peace, friendship and understanding. Through the visual arts, the art of celebration of life.
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In the re-creation of combat situations, and this is coming from a director who's never been in one, being mindful of what these veterans have actually gone through, you find that the biggest concern is that you don't look at war as a geopolitical endeavor.
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I guess the greatest cliché we've ever heard, but the most important words spoken, is, love, you know, love your neighbor and, as you would yourself. It's a biblical term, it's important, and it's embraced by every religion and yet it seems to be a far cry from what we're experiencing today.
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There's going to be no more digital enhancements or digital additions to anything based on any film I direct. I'm not going to do any corrections digitally to even wires that show... If 1941 comes on Blu-ray I'm not going to go back and take the wires out because the Blu-ray will bring the wires out that are guiding the airplane down Hollywood Blvd. At this point right now I think letting movies exist in the era, with all the flaws and all of the flourishes, is a wonderful way to mark time and mark history.
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I made 'Saving Private Ryan' for my father. He's the one who filled my head with war stories when I was growing up.
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History is so fleeting and we are so busy consuming media and the contemporary culture, voraciously gobbling it up, that we have no room to look back ever, and our young people have a tough time looking back.
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Failure is inevitable. Success is elusive.
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I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
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It starts with the writer-it's a familiar dictum, but somehow it keeps getting forgotten along the way. No film-maker, irrespective of his electronic bag of tricks, can ever afford to forget his commitment to the written word.
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My movies more often are told through pictures, not words. But in this case, the pictures took second position to the incredible words of Abraham Lincoln and his presence ... I was less interested in an outpouring of imagery than in letting the most human moment of this story evolve before us.
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I'm not really interested in making money.
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The internet is watching us now. If they want to. They can see what sites you visit. In the future, television will be watching us, and customizing itself to what it knows about us. The thrilling thing is, that will make us feel we're part of the medium. The scary thing is, we'll lose our right to privacy. An ad will appear in the air around us, talking directly to us.
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'E.T.' began with me trying to write a story about my parents' divorce.
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I was a scared kid... I think I was born a nervous wreck, and I think movies were one way to find a way transferring my own private horrors to everyone else's lives. It was less of an escape and more of an exorcism.
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The age doesn't really matter to me as it seems to matter to other people. A lot of people think that youth or age is the total sum of your knowledge about anything, and it's absolutely untrue. I think I might have even known more five years ago than I do now.
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I think every film I make that puts characters in jeopardy is me purging my own fears, sadly only to re-engage with them shortly after the release of the picture. I'll never make enough films to purge them all.
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Godzilla was the most masterful of all dinosaur movies because it made you believe it was really happening.
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Audiences are harder to please if you're just giving them effects, but they're easy to please if it's a good story.
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I did 50 takes on Robert Shaw assembling the Greener Gun on 'Jaws.' The shark wasn't working, so I just kept shooting to make the production report look like we were accomplishing something and to keep cast and crew from going crazy from boredom. It was a strategic indulgence.
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My problem is that my imagination won't turn off. I wake up so excited I can't eat breakfast. I've never run out of energy. It's not like OPEC oil; I don't worry about a premium going on my energy. It's just always been there. I got it from my mom.
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The most expensive habit in the world is celluloid, not heroin, and I need a fix every few years.
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I see some parallels between then Lincoln's era and now. Certainly the division of ideologies between two parties, the Democratic Party and the Republican Party. In 1865, the Democrats were the Conservatives and the Republicans were the progressives, and today it's just the opposite.
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Making a movie is like a stagecoach ride through the Old West: at first you wish for a pleasant trip, and after a while you just hope you reach your destination.