Stevie Ray Vaughan Quotes
Quotes to Explore
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There are times where I am trying to make the big play before I even catch the football.
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The best players will play. That's the way it will always be.
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Any concept of one person being superior to another can lead to racism.
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I still have my old Nintendo 64 that works. And I hook it up, and I still play the original 'Goldeneye.' I'm that geek. I have an 'NBA Jam' arcade machine in my office at 'SNL.'
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When I'm not working... I'm an actor! I'm auditioning! I like to hang out, have fun, drink, club, meet boys, look for boyfriends, play MASH, the usual.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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I've always refused to play terrorists.
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The villains that I play, I always think that they are grounded, wonderful people with enormous intellects who are very exciting to spend an evening with. I never see them as bad people.
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Julie Andrews is so iconic, and I grew up watching 'The Sound of Music' - it's every girl's dream to play Maria, in a way, I think. That music!
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I can play a man who's despicable. But I'll still look inside him to find a point of connection. If I can find that kernel, audiences will relate to me.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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Children play soldier. That makes sense. But why do soldiers play children?
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My whole career has been fulfilling my childhood fantasies, playing characters that are larger than life, getting to play a knight, an elf, a prince, and a soldier.
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You have to lead people to get excited and be passionate and be activated by what you do.
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I dare anyone to play like Charlie Watts.
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You cannot play naive if you're not.
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Only in a novel are all things given full play.
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I'm rarely asked to play the smartest man in the room.
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I confess to getting quickly bored by one style of expression, and I like to experiment with all different sorts of modes. I rebel against familiar tools.
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Look at us — everything is possible.
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Lots of times I'll play lead and rhythm together.
