Stewart Brand Quotes
Quotes to Explore
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Every time a young girl comes in and asks me for advice, if you start your conversation with, 'How hard is it as a black woman,' or, 'How hard is it as a woman,' I turn you around. Because I cannot - we cannot look at the roadblocks and see the road at the same time.
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We could have gone with much bigger labels and more money, but we wanted to go with a company that is LA based, all in the same building, and really understands what the artists want.
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When your co-stars are 9-month-old babies, you fall in love. You start thinking, When am I going to have my own?
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Writing is an exploration. You start from nothing and learn as you go.
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When you start to think about politicians, you've got to realize these are strange creatures. Other than the fact that they can't tell directions, and they have very strange breeding habits, how do you actually work with these things?
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I've always had a strong start, but the start in boardercross is so important. And if you're not getting better, you're getting worse.
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Did you ever stop to think, and forget to start again?
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We went out for six weeks a year. We first started in Mexico and we did that for so many years that we finally said we've got to explore and start going globally. And then we started going all over the world.
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I would love a bowl of Frosties, but I start the day with something healthier like a bowl of yoghurt or berries.
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In dance you use every party of your body except your voice. I wanted to start acting because I wanted to use my voice.
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You don't need Beanie Sigel in the building with a pre-perception that this crazy dude might do anything.
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When the days start to get shorter, I want to be in some nice brick building on the East Coast with the lights glowing in the windows. When the daylight starts changing, I want to be out West.
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I enjoy being in New York. I have so many fans here that sing all my songs from start to finish.
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I'm going to start these art museums that are basically converted homes, and I have one for modern art, and I have one for 19th century European art, and one for French impressionism. I've got Japanese.
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Several years ago, when I was about to start a novel, I thought I might get some mileage out of the idea of a civilization in which people somehow felt - that is, they shared - all the pain and all the pleasure they caused one another.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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In a fascist shift, reporters start to face more and more harassment, and they have to be more and more courageous simply in order to do their jobs.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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When Californians see something we truly believe in, we say so and act accordingly - without evasiveness or equivocation.
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I think making the referee aware of a situation, there is nothing wrong with that.
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Love and death are the two great hinges on which all human sympathies turn.
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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If a Danish politician would go up and say he believes in God, people would be a little bit taken aback by that because it's slightly different there than in the U.S. Most of Europe is not that faith based, especially in terms of the politics, and politicians don't use that there.
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A building is not something you finish. A building is something you start.
