Ada Louise Huxtable Quotes
One of the most basic human instincts is the need to decorate. Nothing is exempt - the body, the objects one uses, from intimate to monumental, and all personal and ceremonial space. It is an instinct that responds ... to some deep inner urge that has been variously described as the horror of a vacuum and the need to put one's imprint on at least one small segment of the world.
Quotes to Explore
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I'd work with soccer coordinators at Game Changing Films and have one or two combat training sessions with my stunt double, who's a wushu master.
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One of the questions writers bump up against in their work, whether they know it or not, is about lying. Because fiction is a form of deceit, and one's abilities are measured by how convincingly one can persuade readers that these events really happened.
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Simplicity is prerequisite for reliability.
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In the theatre, once you've gone about eight rows back, everybody else is just listening to you. You're very small, and nobody can really see what you're doing.
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Republicans have never been good at public relations.
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It helps if you don't date other actors, but actresses are beautiful. How can you say no?
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They have been saying for a long time that Iraq made an effort to import active uranium, and my colleague demonstrated the other day that they came to the conclusion that it was a fake document that everybody is relying upon.
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My husband is a fall-away Catholic, but with a vengeance. He's actually more of a feminist than I am.
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I was just a goofy little funny kid, who was always getting sent to the principal. It wasn't serious because I was smart. I wasn't like a true troublemaker, just rambunctious - like, talkative and trying to be funny. That was me in middle-school.
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Moscow is a huge inspiration for me. I love what I find here, I love being here.
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For 24 years of my adult life, by choice I weighed well over 200 pounds. I say 'by choice' because I have never 'accidentally' eaten anything, so when I choose to eat too much, I have chosen to weigh too much.
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I started to do theater when I was a little boy at school, and then, I think because my father was a documentary filmmaker and worked for German television, I was of course fascinated by what he did.
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Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance.
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We are now living in an age which doubts both fact and value. It is the life of this age that we wish to see and judge.
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The commies are the only people on earth who think Star Wars will work. If they're that gullible, maybe we should have held the summit at Atlantic City and let them lose all their missiles playing Keno.
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The Mississippi and its paddle boats, and the rivers of Bengal and their gleaming steamers evoked a similar atmosphere of romance, of long, song-filled voyages, high winds and lonely sunsets.
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The pace of global warming is accelerating and the scale of the impact is devastating. The time for action is limited - we are approaching a tipping point beyond which the opportunity to reverse the damage of CO2 emissions will disappear.
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Most super PACs are a money-laundering operation that exists solely to enrich the members or its founders.
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Every student of physics knows the axiom 'nature abhors a vacuum.' A little known corollary is that 'rowing coaches detest sending their crews in early.' Coaches will always find something to fill the end-of-practice vacuum.
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Once the frontiers of horror have been crossed, one will pass from form to form beyond the human and from metamorphosis to metamorphosis to accomplish, in the anguish of an impossible return, the most terrible journey to the depths of darkness.
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Horror alone brings peace of mind.
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One of the most basic human instincts is the need to decorate. Nothing is exempt - the body, the objects one uses, from intimate to monumental, and all personal and ceremonial space. It is an instinct that responds ... to some deep inner urge that has been variously described as the horror of a vacuum and the need to put one's imprint on at least one small segment of the world.
