Hilary Mantel Quotes
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[H]ope takes you by the throat like a stranger, it makes your heart leap.
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I think if the monarchy were removed tomorrow, it wouldn't have a huge effect on the national mind-set.
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I think it took me half a page of 'Wolf Hall' to think: 'This is the novel I should have been writing all along.'
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The writer I adore is Ivy Compton-Burnett.I couldn't get more than a few pages in when I first read her. In many ways, she is very clumsy and her plots are rubbish. But we don't read her for that. There are pages and pages of dialogue. What it requires is real effort and attention.
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My first book was a historical novel. I started writing in 1974. In those days, historical novels meant ladies with swelling bosoms on the cover. Basically, it meant historical romance. It was not respectable as a genre.
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For me, it is about using everything that is there and using the gaps in the record, figuring out why the gaps might be there. And then when you move on to the level of what historians said, laying the interpretations side by side. You also have to look back at the documents and make your own judgments. What the record says and what people say about it. A novelist can fill the gaps in a way that a biographer cannot.
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The worship of Thomas More goes beyond Catholics.
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Insights don't usually arrive at my desk, but go into notebooks when I'm on the move. Or half-asleep.
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Write a book you'd like to read. If you wouldn't read it, why would anybody else? Don't write for a perceived audience or market. It may well have vanished by the time your book's ready.
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When narratives fracture, when words fail, I take consolation from the part of my life that always works: the stationery order. The mail-order stationery people supply every need from royal blue Quink to a dazzling variety of portable hard drives.
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The weight of the old world is stifling, and trying to shovel its weight off your life is tiring just to think about. The constant shuttling of opinions is tiring, and the shuffling of papers across desks, the chopping of logic and the trimming of attitudes. There must, somewhere, be a simpler, more violent world.
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You can have a silence full of words. A lute retains, in its bowl, the notes it has played. The viol, in its strings, holds a concord. A shriveled petal can hold its scent, a prayer can rattle with curses; an empty house, when the owners have gone out, can still be loud with ghosts.
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Rafe asks him, could the king's freedom be obtained, sir, with more economy of means? Less bloodshed? Look, he says: once you have exhausted the process of negotiation and compromise, one you have fixed on the destruction of an enemy, that destruction must be swift and it must be perfect. Before you even glance in his direction, you should have his name on a warrant, the ports blocked, his wife and friends bought, his heir under your protection, his money in your strong room and his dog running to your whistle. Before he wakes in the morning, you should have the axe in your hand.
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You mustn't stand about. Come home with me to dinner.’ ‘No.’ More shakes his head. ‘I would rather be blown around on the river and go home hungry. If I could trust you only to put food in my mouth – but you will put words into it.
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I spend a lot of my time talking to the dead, but since I get paid for it, no one thinks I'm mad.
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We have a number of very powerful women in the world now - Mrs. Angela Merkel, who the Germans call Mutti. What did we call Mrs. Margaret Thatcher? When she was minister of education, she stopped the children's free school milk. This may sound quaint, but after the war we were such a malnourished nation that part of the founding of the welfare state were public health initiatives. Every little schoolchild got milk. Mrs. Thatcher stopped it. They called her "Maggie Thatcher, milk snatcher."
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He turns to the painting. "I fear Mark was right." "Who is Mark?" "A silly little boy who runs after George Boleyn. I once heard him say I looked like a murderer." Gregory says, "Did you not know?
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I am very happy in second-hand bookshops; would a gardener not be happy in a garden?
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Why are we so attached to the severities of the past? Why are we so proud of having endured our fathers and our mothers, the fireless days and the meatless days, the cold winters and the sharp tongues? It's not as if we had a choice.
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Watching live actors onstage, in something that changes night by night, real people picking up cues from each other, it concentrates you on the process rather than the result.
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Margaret Thatcher aroused such strong loathing in so many people. That's the fact that interests me.
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Imagine the consequences of having the first woman prime minister who is the milk snatcher. Margaret Thatcher takes away the nourishment of the nation.
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But an experienced reader is also a self-aware and critical reader. I can't remember ever reading a story without judging it.
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If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be.