Hilary Mantel (Dame Hilary Mary Mantel) Quotes
Quotes to Explore
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My parents came to see me in a play at Eton when I was 16. And then, when I said I wanted to try for drama school, they knew there was enough passion there for them to be brave and back me.
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It's important for any artist - particularly female artists - to feel completely comfortable and to know what they're trying to do.
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I like to go to Africa purely with something to do. I'm not very comfortable getting into an armor-plated Land Rover and going to see things, with my hand gel, you know, it's not me at all. So I like to hang out and you know, really get to know people and try and do something that resonates with them.
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Wise is he who enjoys the show offered by the world.
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Never thought acting was something you could make a living at. It wasn't until I was in college, and got a lead in a play, that I began to realize I might just be able to blunder into this profession.
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Every human walks around with a certain kind of sadness. They may not wear it on their sleeves, but it's there if you look deep.
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My husband wrote the story for my first book, but then he didn't want to do that anymore. So if I was going to go on being an illustrator, I had to start writing the stories, too.
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When I say I'm an authentic conservative, it's because when you look at who I am and where I come from, it'd be a lot easier to have grown up a Democrat.
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I'm not a politician, I'm not an ideologue, I'm not an organizer anymore. I'm a human being sharing ideas, and those ideas have to feel fresh and from my heart and my head, and I have to feel it. You can't force that feeling.
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I never had little brothers, so I was totally not used to hearing a lot of cussing at a young age! I learned what 'pull my finger' meant the hard way.
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Both 'The Daily Show' and 'The Colbert Report,' you're working with the best. When you work with the best, you have to raise your game. If you're working with people who are sub par, you're not forced to give 100 percent because you can get by on 80 percent.
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I describe myself as an environmentalist not because I'm marching in the street with placards but because I like to be in the woods by myself.
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When you as a designer design something that burdens a community with maintenance and old world technology, basically failed developed world technology, then you will crush that community way beyond bad design; you'll destroy the economics of that community, and often the community socially is broken.
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I can make up stories with the best of them. I've been telling stories since I was a little kid.
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I have some wigs at home just for fun. Throughout my years, my hair has been treated in a not very nice way, so I have to be careful.
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I was studying communications and acting, and I decided over the summer that I wanted to work on my acting skills and perform in a pageant. I didn't have any other way of practicing, so I entered the Miss Rhode Island pageant. I ended up wearing a dress that was a $20 rental. It was too short, and there was a hole in the back of it.
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Blacks have had to learn to protect themselves by being cynical but not cynical enough to slam the door on potential opportunities. We go through life walking a tightrope to prevent too much disillusionment.
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The exchange program is the thing that reconciles me to all the difficulties of political life.
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On the molecular scale, you find it's reasonable to have a machine that does a million steps per second, a mechanical system that works at computer speeds.
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Oddly enough, I'm not religious but I'm also very fond of St Peter's in Rome. When I'm there, I always know there's a good meal not far away.
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The thing that happened in Ferguson touched many of us in a specific way.
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Jefferson wrote the Declaration of Independence; Madison wrote not only the United States Constitution, or at least most of it, but also the most searching commentary on it that has ever appeared. Each of them served as president of the United States for eight years. What they had to say to each other has to command attention.
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Jazz is the greatest American art form and our greatest export. We don't pay attention to the youth of jazz, don't stoke the fires creatively for the youth coming up. I feel like jazz musicians became too much of purists - with Donald Byrd doing funk jazz in the '70s.
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I dislike pastiche; it attracts attention to the language only.
