Nate Corddry Quotes
Both 'The Daily Show' and 'The Colbert Report,' you're working with the best. When you work with the best, you have to raise your game. If you're working with people who are sub par, you're not forced to give 100 percent because you can get by on 80 percent.
Quotes to Explore
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I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.
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I didn't audition for 'SNL.' I sent in a tape to 'SNL' the year before I started writing there, but I got the job there through doing stand-up on Fallon.
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Bigotry tries to keep truth safe in its hand with a grip that kills it.
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I get recognized so much. It happens mostly when I'm in Starbucks.
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You think about taking audiences on a journey.
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Anytime you have a tight race and you lose, it's not pleasant.
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I really want to have actors contribute their own ideas, with phrasings and ideas on all levels.
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People have these incredible expectations. So instead of being inspired by, say, Joni Mitchell's music, I look at it and say to myself, 'I'm going to quit - why would I think of writing or performing after listening to that?'
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I think the best thing I can hope to achieve is to educate, or make aware, as many people as possible on how the little things they do every day really do affect our environment, and how easy it is to fix some of those things.
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If you solve both the consumer problems and the corporate problems, you can win at this game. If you reinvent what a corporation is currently selling, it can often make the leap.
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I feel like I missed a whole period of my childhood because I had a bunch of stressful things happen to me when I was like 17, 18, when people usually feel the most free in life, like going to college and like anything is possible.
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I bring spiritual books with me while travelling. I like books about thoughts and how you see the world.
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I've always been excited by rotoscoping, the technique used in films like 'Waking Life,' which fuses animation with real-life emotion. It seemed like it was a process ripe for innovation.
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I studied the lives of jazz singers who would tour Europe, and... what I learned was life was big ride for them. They'd seen the dark side of humanity... but touring the world playing jazz, it was a truly carefree way of living. A great escapism, if you like.
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Dealing with the government does not mean you have to give a bribe.
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I can always go back to education.
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In England we have come to rely upon a comfortable time-lag of fifty years or a century intervening between the perception that something ought to be done and a serious attempt to do it.
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I know there is pain when sawmills close and people lose jobs, but we have to make a choice. We need water and we need these forests.
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I started to itch to do a play again and 'Macbeth' came to the surface in my mind. I never thought I would do it in a conventional way. A sweaty Macbeth with blood on his arms coming in fresh from the battle doesn't interest me.
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I never go to temples, but when I see a child, I see God in them.
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I detest the endgame. A well-played game should be practically decided in the middlegame.
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We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too.
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When I get to go play in my hometown, it's almost one of the toughest times because I got so many people to cater to and then a lot of people that think they're supposed to be catered to.
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Both 'The Daily Show' and 'The Colbert Report,' you're working with the best. When you work with the best, you have to raise your game. If you're working with people who are sub par, you're not forced to give 100 percent because you can get by on 80 percent.
