Hirokazu Kore-eda Quotes
I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide.
Quotes to Explore
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I don't think Adam Sandler or Will Ferrell fear competition from me in their arena.
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We need more people working in the publishing industry itself who are people of colour.
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My father was a very gregarious, very open guy. So every weekend, the house was full of people.
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I am very concerned about nutrition and always try to be careful about what I eat.
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The Catholic Church was the church of the colonial fascist regime.
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Nearly all edible seaweeds - or 'sea vegetables,' as they ought technically to be called - belong to one of three broad groups: green, red and brown algae.
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Gossip can be entertaining: occasionally, I've heard the most fascinating things about myself I never knew.
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I'm the youngest of five – three girls and two boys. There was one record player for the seven of us. It was good for me, because I got to hear everyone else's music.
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Essentially what photography is is life lit up.
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I learned you can't trust the judgment of good friends.
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What I love about jazz is that it's full of legends, full of myths. It's an oral history because it started in New Orleans and Kansas City, under the radar.
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High school golf, college golf and the decade that followed all come back to me now as one big raucous, goofy gangsome.
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I believe that God made this wonderful universe and all that exists.
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Sometimes I read a really good script, and I just know that it's not a good fit.
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I played my first match aged six. Neither my opponent nor I knew how to score, so our parents had to help us out from the sidelines.
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The films that I do are deep, introspective, brooding roles that you're in this heavy headspace all the time.
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The doctrine of the Kingdom of Heaven, which was the main teaching of Jesus, is certainly one of the most revolutionary doctrines that ever stirred and changed human thought.
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I have to believe there's redemption in the darkest of circumstances; otherwise it's too bleak for me.
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For me, I want to find the truth in the word and the character and the line.
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In the theater the audience is generally riveted to a single angle of observation. The movie director, though, can rapidly shift from objective to subjective--and to any number of subjective points of view--and in so doing seem to pull the audience directly inside the frame of his picture, giving the spectator the sense of experiencing an action from the viewpoint of a participant. Identification of the viewer with the film character, then, can be much more intimate than the analogous situation in the theater.
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Loving someone is setting them free, letting them go.
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My accent depends on whom I'm around.
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Sometimes I still wonder what my fans look like, but if I had to describe them, I'd say that they are everyday people with everyday needs who need a supernatural message to help them though their natural walk.
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I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide.
