Hiroyuki Sanada Quotes
Carl Rinsch has a good balance between the visual and the drama and action, so I thought if he's going to direct, we can make a new, epic film. My fear was gone when I met him.
Quotes to Explore
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Interior design is a business of trust.
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Social paralysis is strong and stands firmly in the way of change on the ground level. As allies, we have to prepare ourselves to step into the fire when necessary, even - and especially - when said fire is merely a still-lit cigarette tossed carelessly onto the street.
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I believe in social dislocation and creative trouble.
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I'm always keeping an eye out for a period piece. I was trained in theatre, so most of the things we did were classical - Shakespeare, Moliere, and Chekhov.
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I'm a musician. I'm not, like, a personality. I've never really pretended to perform that kind of function.
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I see so many activists... who are artists because they feel that they have the power of communication.
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I love cars, but I love bikes more.
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Let us take our children seriously! Everything else follows from this... only the best is good enough for a child.
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My commitment to the Republican movement was pure and simply patriotism, a love of Australia... a desire or passion that all of our national symbols should be unequivocally and unambiguously Australian.
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Lawyers and other professionals are using Quora to build their reputation and build their bonafides.
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According to my principles, every master has his true and certain value. Praise and criticism cannot change any of that. Only the work itself praises and criticizes the master, and therefore I leave to everyone his own value.
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Obviously, 'Lincoln' is not about the telegraph operator. There's a whole other movie before and after the two isolated scenes that I'm in.
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While we are being fascinated by the tales of famous serial killers and how they were brought to justice, the real serial killer goes about his business with hardly a thought to being caught.
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It's an exciting life. I don't know where God is leading us. I just know that He opens doors and He closes the doors, and it is always the best for us.
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A lot of writers whom I love, admire and call friends share this feeling, which is this fundamental idea that we're frauds. That we will be pushed out on to the stage, and it will be revealed that the emperor has no clothes.
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I have a family and two cats; I get up with my kids early in the morning.
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The show business has all phases and grades of dignity, from the exhibition of a monkey to the exposition of that highest art in music or the drama which secures for the gifted artists a world-wide fame princes well might envy.
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The trouble with facts is that there are so many of them.
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The process of being filmed was, I found, peculiar but not discomfiting. At 13, you are malleable, adaptable, better able to take the unusual in your stride.
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Everything in the world was in precarious balance, pure risk, and those who didn't agree to take the risk wasted away in a corner, without getting to know life. I understood suddenly why I hadn't had Nino, why Lila had had him. I wasn't capable of entrusting myself to true feelings. I didn't know how to be drawn beyond the limits. I didn't possess that emotional power that had driven Lila to do all she could to enjoy that day and that night. I stayed behind, waiting.
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Each time I work on a film, I say to myself, 'This is it. This is the end.' Because it is so stressful, it's like torture.
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Carl Rinsch has a good balance between the visual and the drama and action, so I thought if he's going to direct, we can make a new, epic film. My fear was gone when I met him.
