David Lewis-Williams Quotes
The picture of change in human society that emerges from this recent research throws new light on that aspect of the Transition that has been called the ‘Upper Palaeolithic Revolution’ and the ‘Creative Explosion’ – that time when recognizably modern skeletons, behaviour and art seem to have appeared in western Europe as a ‘package deal’.
Quotes to Explore
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I'm a big believer if you want to change people's minds or get someone to vote for you, either a voter or a colleague, you've got to first get their attention.
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After marriage, most women keep aside their aspirations and dreams as their priorities change.
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Remember that life's big changes rarely give advance warning.
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Truth in our society often takes a back seat to securing gainful consequences.
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What sets 'Some Nights' apart from anything we've ever done is the hip-hop influence. Not so much the actual sound of hip-hop, but more the vibrato and the artistry that comes with it. Right now, the artists that seem to be pushing to be the greatest artists and are trying to change the world are hip-hop artists.
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The music comes through me, and I let it come the way it comes, and it shapes itself. I just hold space for it. I don't intend to write it for a purpose, but it comes as it comes and am proud of the way it can support change because I believe strongly in what I sing about.
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Man has evolved a mutual relationship with nature on earth, but his power to change its surface has grown so tremendously that this may become a curse instead of a blessing.
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Don't change a thing. That's one of the best gimmicks a band could ever come up with.
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The priesthood is a marriage. People often start by falling in love, and they go on for years without realizing that love must change into some other love which is so unlike it that it can hardly be recognized as love at all.
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I am just doing photo shoots. It's not something that extraordinary. I'm not a great artist, I'm not writing books, I'm not a painter, and people in the streets ask me for a picture or a note, and I say, 'Why?'
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Society exists only as a mental concept; in the real world there are only individuals.
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I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
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Life is painting a picture, not doing a sum.
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Information, education, skills, healthcare, livelihood, financial inclusion, small and village enterprises, opportunities for women, conservation of natural resources, distributed clean energy - entirely new possibilities have emerged to change the development model.
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I would say that my fatal flaw, as a human being, is that I need people to like me, and if they don't like me, I will obsess over it - and try to change my personality until they like me - even if they don't like me for reasons that have nothing to do with me, and even if they're strangers.
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Rising anti-Semitism is rarely the lone or the last expression of intolerance in a society.
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We need the world to respect us. They consume a lot of hits and just act like it wasn't... I ain't never seen nobody make these many hits and not get notified for it. And change the game like we did and bring the flow to the game the way we did and not get noticed for it, like the the big way - the real system way.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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I don't generally read a lot of fiction.
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It just feels good to score more than four or five runs.
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I don't care what you say about me. Just be sure to spell my name wrong.
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In 1998, I self-published online in order to get a traditional deal.
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Doesn't every kid want to dig a hold to China? Didn't you? What about Chinese children?
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The picture of change in human society that emerges from this recent research throws new light on that aspect of the Transition that has been called the ‘Upper Palaeolithic Revolution’ and the ‘Creative Explosion’ – that time when recognizably modern skeletons, behaviour and art seem to have appeared in western Europe as a ‘package deal’.
