David Lewis-Williams Quotes
The picture of change in human society that emerges from this recent research throws new light on that aspect of the Transition that has been called the ‘Upper Palaeolithic Revolution’ and the ‘Creative Explosion’ – that time when recognizably modern skeletons, behaviour and art seem to have appeared in western Europe as a ‘package deal’.
Quotes to Explore
-
I'm a big believer if you want to change people's minds or get someone to vote for you, either a voter or a colleague, you've got to first get their attention.
-
After marriage, most women keep aside their aspirations and dreams as their priorities change.
-
Remember that life's big changes rarely give advance warning.
-
Truth in our society often takes a back seat to securing gainful consequences.
-
What sets 'Some Nights' apart from anything we've ever done is the hip-hop influence. Not so much the actual sound of hip-hop, but more the vibrato and the artistry that comes with it. Right now, the artists that seem to be pushing to be the greatest artists and are trying to change the world are hip-hop artists.
-
Man has evolved a mutual relationship with nature on earth, but his power to change its surface has grown so tremendously that this may become a curse instead of a blessing.
-
Don't change a thing. That's one of the best gimmicks a band could ever come up with.
-
The priesthood is a marriage. People often start by falling in love, and they go on for years without realizing that love must change into some other love which is so unlike it that it can hardly be recognized as love at all.
-
I am just doing photo shoots. It's not something that extraordinary. I'm not a great artist, I'm not writing books, I'm not a painter, and people in the streets ask me for a picture or a note, and I say, 'Why?'
-
Society exists only as a mental concept; in the real world there are only individuals.
-
I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
-
Life is painting a picture, not doing a sum.
-
Information, education, skills, healthcare, livelihood, financial inclusion, small and village enterprises, opportunities for women, conservation of natural resources, distributed clean energy - entirely new possibilities have emerged to change the development model.
-
Rising anti-Semitism is rarely the lone or the last expression of intolerance in a society.
-
We need the world to respect us. They consume a lot of hits and just act like it wasn't... I ain't never seen nobody make these many hits and not get notified for it. And change the game like we did and bring the flow to the game the way we did and not get noticed for it, like the the big way - the real system way.
-
We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
-
I got into journalism not to be a journalist but to try to change American foreign policy. I'm a corny person. I was a dreamer predating my journalistic life, so I got into journalism as a means to try to change the world.
-
I always say I don't want to change anything in my life.
-
There's an audience out there for all these different types of things. Whether it's comedy, motion-picture drama, family movie or a cool, cutting-edge indie, it's nice to know that I can span all those different genres.
-
Whilst in Prussia poets only speak of the love of country as one of the dearest of all human affections, here there is no man who does not feel, and describe with rapture, how much he loves his country.
-
Doing what you want to do is easy. Doing what you have to do is hard.
-
'24' is such an iconic show.
-
But every company of the future is going to be in the business of exquisite care - which means quick turnaround time and convenience. To deliver exquisite care, you need an organization that coordinates well and listens well.
-
The picture of change in human society that emerges from this recent research throws new light on that aspect of the Transition that has been called the ‘Upper Palaeolithic Revolution’ and the ‘Creative Explosion’ – that time when recognizably modern skeletons, behaviour and art seem to have appeared in western Europe as a ‘package deal’.
