Ingmar Bergman Quotes
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I had a bad conscience until I discovered that having a bad conscience about something so gravely serious as leaving your children is an affectation, a way of achieving a little suffering that can't for a moment be equal to the suffering you've caused.
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I have such difficulty calming down - my stomach, my head, reality, everything. That is the reason I live in Faro.
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I am extremely suspicious of dreams, apparitions and visions, both in literature and in films and plays. Perhaps it's because mental excesses of this sort smack too much of being 'arranged.'
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I am autobiographical in the way a dream transforms experience and emotions all the time.
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The anger and the creativity are so closely intertwined with me, and there's plenty of anger left.
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I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
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The doors between the old man today and the child are still open, wide open. I can stroll through my grandmother's house and know exactly where the pictures are, the furniture was, how it looked, the voice, the smells. I can move from my bed at night today to my childhood in less than a second.
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I usually say I left puberty at 58.
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When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about.
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Now I want to make it plain that 'The Virgin Spring' must be regarded as an aberration. It's touristic, a lousy imitation of Kurosawa.
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I was booed at the premiere of 'Miss Julie,' a remarkably stimulating experience.
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We didn't know that Mother had gone through a passionate love affair or that Father suffered from severe depression. Mother was preparing to break out of her marriage, Father threatening to take his own life.
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There is something joyous about not talking.
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I have always appreciated the honest brutality of the international film world. One need never doubt one's worth in the market. Mine was zero.
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Self-portraiture is something one should never get involved in, since it is wrong to lie even though one endeavours to tell the truth.
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I think that for some time now I have been living with an anxiety which has had no tangible cause. It has been like having a toothache, without the conscientious dentist having been able to find anything wrong with the tooth or with the person as a whole.
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For me he's just a hoax. It's empty. It's not interesting. It's dead. Citizen Kane, which I have a copy of - is all the critics' darling, always at the top of every poll taken, but I think it's a total bore. Above all, the performances are worthless. The amount of respect that movie's got is absolutely unbelievable.
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Writing is boring, very boring, and it takes so much patience.
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If I let myself go, nothing will get done.
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When I'm on Faro, I'm never lonely.
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Not a day has gone by in my life when I haven't thought about death.
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Everything is worth precisely as much as a belch, the difference being that a belch is more satisfying.
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I hate to travel. I don't go anywhere.
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I was very much in love with my mother. She was a very warm and a very cold woman. When she was warm, I tried to come close to her. But she could be very cold and rejecting.