Kalan Sherrard Quotes
I'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not "successful" art. I want to change laws around street performance.

Quotes to Explore
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I like the detail work of telling a story in small pieces, as is done in movie-making, and also the long leap of faith needed to see a theatre performance through each night. Both require focus and self-discipline.
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Like baseball, food will never go out of style; we will always need to eat and we will always find it entertaining. I think of food TV this way - all the fun and none of the calories.
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You can't embarrass Joss Whedon, he's got no pride! He fully admits it. 'Oh, it's me. I'm little and goofy.' You can't wound his pride. He's too self-deprecating.
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I don't think it's good for people to know too much about you. With my favourite bands, I don't want to have the inside track on every single aspect of their personal lives.
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We have to be aware of our fragilities as human beings - when we see cruelty, to understand that in certain conditions, we could be cruel, too.
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Brooklyn's good. Brooklyn's funky. Brooklyn's happening.
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Customer expectations? Nonsense. No customer ever asked for the electric light, the pneumatic tire, the VCR, or the CD. All customer expectations are only what you and your competitor have led him to expect. He knows nothing else.
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Basically, my idea and explorations on fashion have not changed; however, I believe I'm going state-of-the-art on fashion.
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The older I get, the less I know. By that I mean the less I am sure of. I view people with strong opinions on the big stuff with distrust. I don't think we should have certain certainties on faith and politics; I think we should be open-minded.
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Public appearances are a headache. I hold mine down to a minimum.
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But now that I'm cartooning full-time, I'm more of an observer. I'm talking to people who are experiencing these things. But it's not like being in the trenches.
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Now I have the bravery to do fine things.
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I grew up being told by my parents each time they went off to war that they may explode, so I needed to know how things like the gadgets in the kitchen worked.
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Everywhere I go, from malls to restaurants to sold-out tours overseas and back, everywhere I've been, I get nothing but love.
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I don't do office work at home.
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What I expect of a movie reviewer is that he should love cinema as much as I do.
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What agent is there other than the Creator of the heavens and earth who can know whatever occurs in our heart, down to its most subtle and secret thoughts, and illuminate the future for us by establishing the Hereafter, saving us from the countless suffocating waves of the world?
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You have to like your character, because if you don't, no one else will either.
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I took the obligatory economics classes in school, but I've long been a fan of the Milton Friedman philosophy and its libertarian bent: One must be free to do what one wants to do, as long as you don't harm another. This is the seminal treatise on free-market economics.
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When you start getting jobs, and see your mates from drama school, you don't really want to talk about it, because you have this innate sense of guilt that it's not fair that others aren't doing exactly what you're doing. I do have that.
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This agreement sends a message that intrusive and deceptive practices will not be tolerated.
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The first, that their pretensions to this possession of an art properly so called in their art of speaking are entirely unfounded; and the second, that they are involved in a profound mistake in their confusion of the good with the pleasant.
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One of the functions of an organization, of any organism, is to anticipate the future, so that those relationships can persist over time.
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I'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not "successful" art. I want to change laws around street performance.