Manuel Puig Quotes
Quotes to Explore
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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I always was drawn to the performing arts. I started dancing when I was two. I sang, loved to act, and loved going to visit my mom on-set. But she wanted me to have a normal childhood, so I wasn't really allowed to pursue acting till I got older.
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I used to stay up all night playing 'Resident Evil 2,' and it wouldn't stop until the sun came up. Then I'd walk outside at dawn's first light, looking at the empty streets of London, and it was like life imitating art. It felt like I'd stepped into an actual zombie apocalypse.
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There are no rebels in the cinema business.
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I really enjoy English and poetry and writing classes.
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I don't know if I actually am good at the sight of blood. An accident on the street gets me very, very upset.
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One of the most precious parts of acting is the work before you show up on the set, the time you spend being with your character before you bring that character to life. To me, that's the most rewarding part of it all. It feels very good to show up on a set just knowing that's with you.
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If you go back and watch 'The French Connection,' it's been cannibalized so many times. There are certain movies like that, where you see the original and think, 'This isn't so great.' And the reason it isn't so great is because everyone has copied it.
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I view myself primarily as a trial lawyer who happens to be writing, as opposed to a writer who happens to be a trial lawyer, so the audience is like a jury to me.
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You always need that spark of imagination. Sometimes I'm midway through a book before it happens. However, I don't wait for the muse to descend, I sit down every day and I work when I'm not delivering lambs on the farm.
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The question for France and all countries is, 'Do you favour foreign Internet operators that do not pay, or do you favour national operators who pay?'
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As it relates to society in general, I think we are inviting God's judgment on our nation when we shake our fist at him and say, 'We know better than you as to what constitutes a marriage.'
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You feel it in there, pacing your heart sometimes, and it has what's called a defibrillator. Should I suffer that arhythmia, it's generally sudden death. And the paddles that are internal shock you back and restore your rhythm to its normal and natural state.
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If the artists would just keep hammering away - unify, stick together - then music will become the king again, which is what it should be.
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See, as much as I love the game, golf was my vehicle to competition. And I love to compete.
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Success is about dedication. You may not be where you want to be or do what you want to do when you're on the journey. But you've got to be willing to have vision and foresight that leads you to an incredible end.
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Twenty or 30 years from now, I'm going to be on a beach in Jamaica.
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Where I'm from is like 'Hustle & Flow' versus '8 Mile.' It's that really grimy, box-Chevy, dope-boy, working-class music.
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People talk about method actors, meaning someone that's prepared very, very well, or whatever they mean when they talk about it. But the right method is whatever works for you. And what works for me on any given day is going to be different.
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I wrote my first novel, 'Deadline,' in 1994 as an experiment.
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I think that most people who write about music just want to fill some paper. They're not really interested in getting to the heart of something. Otherwise, they wouldn't write what they write.
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I was in solitary confinement for three months," he explained. "There weren't any other inmates. I was basically just locked in a cage. I didn't have anybody to look at or talk to — it was just one jail cell after another.
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Everyone has to understand what we're saying to one another and there's no point in me thinking the line means this and the person I'm speaking to thinks it means something else. So there's a certain amount of analyzing of text that's of course necessary.
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I only understand realism.
