Robert Farrell Smith (Obert Skye) Quotes
Quotes to Explore
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I got into beards right in the middle of the hipster boom.
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It's not about 'succeeding,' but sometimes on a film, you know you've captured something.
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We believe in some basic human principles - everyone should have the opportunities not just to survive, but to excel with their God-given talents and abilities. Those are the values that should be reflected in our budgets.
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I don't know that I would want to be married again, but I do love companionship.
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The first time Adrian saw me was on tape. But you should know that this never works - never in the history of movies has someone been cast from a video.
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The ability to calibrate risk doesn't happen rationally.
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No one is India.
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I'm like an old vampire, so it's important to talk to young people.
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There was a door to which I found no key: There was the veil through which I might not see.
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Once a conflict has dragged on for a decade, most people are tired of war - and the troubles that flow from it.
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When I have to promote things now, sometimes I realize that I had a movie in mind, but in the end, it's a vision of somebody else, so I have to promote their idea.
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A lot of very successful businessmen share some of these sociopathic traits - a lack of empathy, seeing people as commodities, projecting an air of sincerity when everything is actually calculated.
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The truth is rarely pure and never simple.
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'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling, in my book.
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I'm interested in all forms of performance, yet I think it's difficult to be as equally talented in all of them as they call for such different skills. At the moment, I still feel I'm learning and want as much experience and variety as possible.
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The most underused, under-appreciated group of people in the world is our youth.
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But even now, when people see me in the street, they point upwards to the sky.
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Karl Malden was quite a mentor. He taught me things he had learned from being in front of a camera so long.
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We must all make peace so that we can all live in peace.
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I wrote two poems about the '81 uprisings: 'Di Great Insohreckshan' and 'Mekin Histri.' I wrote those two poems from the perspective of those who had taken part in the Brixton riots. The tone of the poem is celebratory because I wanted to capture the mood of exhilaration felt by black people at the time.
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I'm in the mood for 'Shark Tank' sometimes. When I am, my son and I can't stop watching. But I probably watch 'The Bachelor' more, and Scott Foley and I text about it, like, 'Oh my God, did you see that?!' I love it. It's such a train wreck.
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The sun sliced through the windshield, sealing me in light. I closed my eyes and felt the warmth on my eyelids. Sunlight traveled a long distance to reach this planet; an infinitesimal portion of that sunlight was enough to warm my eyelids. I was moved. That something as insignificant as an eyelid had its place in the workings on the universe, that the cosmic order did not overlook this momentary fact.
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Apparently I wasn't in the mood to listen to myself.
