Babatunde Adebimpe Quotes
Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there's more than 808s in the universe.

Quotes to Explore
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I consider myself as a free spokesman for the people.
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Born with blue spectacles, you would think the world was blue and never be conscious of the existence of the distorting glass.
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I don't know if I actually am good at the sight of blood. An accident on the street gets me very, very upset.
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Not all my work features black actors. I mean, it's funny: someone was reading back to me all the languages that have appeared in my films, whether they were shorts or features. They span Arabic, French, Mandarin, Cantonese - all kinds of languages. I think it's really cool.
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The atmosphere seems to change once the sun goes down and the race fans get to watch a good show.
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The only thing simple about the past is that it's not now.
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When I come up against a director who has a concept that I don't agree with, or maybe I just haven't thought of it or whatever, I'd be more prone to go with them than my own because I want to be out of control as an actor, I want them to have the control, otherwise it's going to become predictably my work, and that's not fun.
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Entrenched scriptural literalism is, in my opinion, completely out of touch with reality.
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I have no problems with remakes, and I think it's interesting. I mean, coming from the theater, we've been remaking 'Hamlet' for a hundred years, so it's no problem to me at all. A good story can be told in many different ways in different places; I just think it's interesting.
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Period drama is such a huge umbrella term: it seems to cover everything from Claudius to something from the 1920s.
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Most of the big banks were shot through with short-termism, deceptive practices and self-dealing. We must institute basic changes in corporate governance and in management practice to restore responsibility and honesty for the sake of the economy and for the self-respect of the country.
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Hemingway's minimalism is based on the psychological mechanics of repression. An echo of his approach can be detected in a favorite trope of 1980s minimalists: a pattern of reference to dire secrets and hidden wounds these authors didn't realize they were supposed to have imagined.
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Now I am within thirty yards of him. He must fall. The gun pours out its stream of lead. Then it jams. Then it reopens fire. That jam almost saved his life.
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I'm still Christian. I was not raised in a Christian church to hate people. I was taught to love people and accept people. I know what I believe.
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He suffered from paralysis by analysis.
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I am a gypsy. I havent' had a home for a long time. Call me a homeless person - I just throw everything in a bag and I'm good to go.
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I don't expect anything from anybody. When you grow old... Your days are gone; it is part of life.
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It's part of the magic of 'Game of Thrones,' all the secrets.
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I've never worried about how long the song is.
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I really want to try soccer after I retire because I've watched football over the years and I think I could be a good contender.
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I think a solo moves forward the way a song does, because it's reflective of the chords that I'm considering as I'm soloing, and at the same time I'm going as much out on a limb as Frank Zappa used to, in terms of just going crazy on the instrument.
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O thou beautiful And unimaginable ether! and Ye multiplying masses of increased And still increasing lights! what are ye? what Is this blue wilderness of interminable Air, where ye roll along, as I have seen The leaves along the limpid streams of Eden? Is your course measur'd for ye? Or do ye Sweep on in your unbounded revelry Through an aerial universe of endless Expansion,--at which my soul aches to think,-- Intoxicated with eternity.
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Some people feel that it's controversial if I say that because my dad is known as a political artist. But I don't really believe that he was a political artist. I think some of his songs were political, and I think they were incredible because he was able to make art that was political and that wasn't pedantic. But I think he was unique in being able to do that.
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Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there's more than 808s in the universe.