Ulric Neisser Quotes
If we allow several figures to appear at once, the number of possible input configurations is so very large that a wholly parallel mechanism, giving a different output for each of them, is inconceivable.
Quotes to Explore
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I hadn't thought that women were particularly dangerous golfers. Could that be the reason that the Augusta National Golf club refuses to take down its 'No Women Allowed' sign?
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I'm at the transition place myself, still playing high school girls but moving to a stage when I'm playing older roles and going to the places of stillness and wisdom and knowledge and weight. It's exciting and scary.
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I predicted in 1950 that in five years, manufacturers the world over would be screaming for protection. It took only four years.
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I really don't have a type. I never had a type. If I could put them all together, it's, like, the most different grouping. So I love when guys are funny. I love guys that are funny and goofy and over the top. And you know, I really like personality.
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I like to swim. It's good for the body and it helps clear my head.
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So I have this ability, if I may say so, to spot talent.
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I hate mules. I hate the noise when someone walks with mules. Clomp, clomp, clomp. I think it's very not chic. I don't even like a flip-flop. I don't like this noise.
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Everything starts as somebody's daydream.
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Considered subjectively, philosophy always begins in the middle, like an epic poem.
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Look into the nature of things. Search out the grounds of your opinions, the for and against.
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A man really determines himself by what he does.
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Once you lose your parents, you get this numbness, this feeling of having to really be able to connect yourself with someone. I depended on my brothers for that connection, but to have that feeling of being taken care of... I lost it when my parents passed away.
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I've always been a strong feminist and felt that the image of models was detrimental to women. That whole thing really bothered me. I would think about quitting about once a week.
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Truth is handsomer than the affectation of love. Your goodness must have some edge to it, else it is none.
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I just make good movies. That's the way I thank my fans.
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I do not concern myself with gods and spirits either good or evil nor do I serve any.
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I want to try to be who I am today, not who I was yesterday.
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For me, the big chore is always the same: how to begin a sentence, how to continue it, how to complete it.
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In the theatre, words are eighty to eighty-five percent of the importance of what is happening to you for your comprehension. In film, words are about twenty percent. It's a different figure, but it's almost an opposite ratio. For the words are only a little bit of embroidery, a little bit of lacework.
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An artist, to achieve anything in art, has to finally do the thing that nobody else wants to do and nobody else has thought to do.
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If I were forced to sum up in one sentence what the Copenhagen interpretation says to me, it would be 'Shut up and calculate!'
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The art of the colorist has in some ways elements of mathematics and music.
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If we allow several figures to appear at once, the number of possible input configurations is so very large that a wholly parallel mechanism, giving a different output for each of them, is inconceivable.
