Ian Foster Quotes
Quotes to Explore
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In terms of achievement, the pride is very important to me. It keeps me going every day. The money is always second to me.
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I have many different sides; I can be the life and soul of the party - or a wallflower.
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It is not only our duty but our moral obligation to break from the oppression of debt. We must rise above the political considerations and do what is right for the future of our nation.
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I used to be obsessed with race. I'm more obsessed with class now.
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I am not a name-dropper. I can't help it if everybody I know is famous.
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I am young, and I think all young guys would love to play a superhero - any superhero - it doesn't matter. I could be a superhero that would just turn into a big blob or something like that, but I could tell all the ladies, 'Hey, I am superhero!'
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We do have serious energy needs for the country, we are aware that natural gas is especially in demand because of its air quality benefits: 90 percent of new power plants have been natural gas-powered.
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My job is to help more people have jobs.
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Storms and darkness scared me, but somehow it encouraged me to learn about nature and I think nothing's dark, dark is beautiful too.
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You have to mind your Ps and Qs a little bit.
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I wanted to look at the mentality that can breed that sort of intensity, that kind of cutthroat, pressure-cooker feeling, especially a form of music like jazz, that should be - or you'd think should be - all about liberation and improvisation and everything.
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Tiny quails may not seem as impressive as a mammoth turkey, but there is something refreshing about a spread of individual birds on the Christmas table.
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If you're on a budget, Sweetgreen is a new chain of salad bars that are very good but inexpensive. You choose from a menu or customise your own, with some protein, a healthy salad and a great dressing.
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If you don't go to a dance, you can never be rejected, but you'll never get to dance, either.
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If you're writing a thriller, mystery, Western or adventure-driven book, you'd better keep things moving rapidly for the reader. Quick pacing is vital in certain genres. It hooks readers, creates tension, deepens the drama, and speeds things along.
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The first job of a writer is to be honest.
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I don't think that the Grammys are in any way a just way of grading music.
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Overpaying the banks for their toxic assets could contribute capital, but that may not be politically feasible or attractive.
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It's dangerous to accept crisis as your baseline. It gets harder and harder to see the anti-crises that are so requisite to happiness: the quiet times, the crucial pauses - like those in a poem.
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I have a good social life.
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But in a turbulent environment the change is so widespread that it just routes around any kind of central authority. So it is best to manage the bottom-up change rather than try to institute it from the top down.
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I think 'Lost in Space' certainly shifted from being an ensemble adventure series about a family facing the unknown alien environment to this trio of comedians - Dr. Smith, the Robot, and Will Robinson being the straight guy. It definitely changed its tone over the three seasons and 84 episodes we did.
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When we approach games, we're always emotional-focused, so if a free-to-play business model works against the emotion, we won't use it. If it actually works well with the emotion, or if we can come up with a new way to do monetization that's different and that's unique for the game, I would go for that.
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There's risk no matter which way you go in this business.
