Rashard Bradshaw Quotes
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I do realize that I have a talent for making music. It wasn't anything expected, but I do think it's deserved, if that makes sense.
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If we actually supported these gay artists and pumped money behind them the same way they pump money behind these divas, a conversation of homophobia in hip hop wouldn't be. Because I would have the money and the revenue coming in. It's not about homophobia or who's going to push back. It's all about who's supporting you and where there's money from.
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Now I'm in the business and I do have to have these awkward conversations about how I look, how I talk. But I'm still here.
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I'm a lot different in my career since that interview. To have someone like Diplo tweet "Cakes' album is really cool" is cool, but in the same breath I still like what I do without anyone's approval. It's still good music.
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I'm a SoundCloud, online kind of artist. It's not like back in the day when everyone was like linking up physically to do music. But with the album, I did have my first experience with meeting with a producer and us making things from scratch.
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For you to be able to rap fast and fit many words into a bar, that's what rap is about, the showmanship. That's the thing we're kind of losing now. I'm not saying that the music now is horrible. I mean, I don't listen to it. The showmanship and creativity in rap is what made it special and what made it different.
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I was doing my music because it was fun, and I always was like, "If it becomes a business, or it becomes too demanding, or if people try to tell me what to do or control what I'm doing, I won't do it."
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I started making music for fun maybe my senior year in college. I started rapping in high school, but it wasn't anything serious.
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It may look like things have gotten better, because everyone is semi-being appreciative. Not appreciative, but conscious of people being gender fluid and all those things.
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My love of words, alcohol, and stage antics basically cemented me as a rapper, but it wasn't a career that I wanted to do. It was just, "I like to do all these things at one time."
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Sometimes I start with the beat. Sometimes I can write something down and it takes me a while to figure out how I want to say it or the beat I want to say it to. I definitely like to live the experiences that I cover.
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I am a rapper. The reason why I was against the whole rapper title is because I know so many people who want to be rappers and they're not.
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I think each track tells a different story about what I'm going through. But overall it's just me being young, my love of alcohol, and my love of turning up.
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Not to sound egotistic, but I've gotten kind of good at it. It's something that came naturally to me, but my rapping is rooted in my writing.
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I think when I dropped The Eulogy is when it became more [about] feedback because that's when Pitchfork wanted to review it and things like that.
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I didn't choose to be a rapper; it's just my talent.
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Every time someone asks me who I want to work with, my answer is always the same: whoever wants to work with me that won't want to get their ego stroked.
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Living New York, everyone has a million hustles, so I was doing party promoting, working the doors at parties, doing that whole nightlife thing.
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I don't know [whether] if I didn't get paid, or my career didn't keep going where it goes, if I would keep doing music.
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I write a lot. I used to write a lot of poetry when I was younger, write for my school newspapers. Also reading is very important because you need to be on your word game if you want to be a lyricist.
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I've been working with Peaches for a while as far as doing shows, maybe for the past two years. Everyone else seems to think that this is a new relationship, but me and her have been touring off and on for a while now. I was doing my album and I needed that heavy-hitter.
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I don't think it's completely better. I still have to do annoying things sometimes and explain things that I don't feel I have to [about LGBT].
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In the industry there's this whole mentality of working with someone who can open the door for you, but my whole thing is that I like my work to speak for itself. So I still do have that same mentality.
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In this day and age of social media, where everything is so centred around how many Instagram and Twitter followers you have, what's keeping me afloat is the fact that my live performance is something that people can enjoy.