Edie Falco Quotes
Quotes to Explore
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Any creative process comes with a level of self-analysis and self-criticism. There's a lot of waking up in the middle of the night going, 'Oh, I wish I had done that differently.'
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I think what I do in my acting world and what I do in my standup world is bring up a brand that I want to bring across. Once you figure out your brand and what you do, it's kind of easy at that. You end up getting your audience.
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I acted at school but got very bad parts - things that they'd made up in Shakespeare plays like 'Guard 17' - so I wrote plays and gave myself parts, then I wrote sketches, then I did stand-up. Even in the school nativity I was the emu in the manger.
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I grew up singing Ray Charles and Jimmy Reed.
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Putting on my legs is like putting on my shoes. I understand that's how some people might think differently, but I hope that in London, their perceptions open up.
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My mother witnessed the martyrdom of her husband, Hajj Malik Shabazz, Malcolm X, on Sunday, February 21, 1965, at the Audubon Ballroom in New York City. My older sisters, Attallah, Qubilah and I were seated with our mother up front and stage right.
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A lot of guys go, 'Hey, Yog, say a Yogi-ism.' I tell 'em, 'I don't know any.' They want me to make one up. I don't make 'em up. I don't even know when I say it. They're the truth. And it is the truth. I don't know.
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What Alexander Graham Bell thought up occupied less space than a flower vase. Now it's so small that I have to search all my pockets to discover I've received a spam text.
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We shall fight to the last to free our Motherland.
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Self-education is, I firmly believe, the only kind of education there is.
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I'd just like to be good at sports. I'm extremely competitive with absolutely nothing to back it up.
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If I like something, I will pick it up from anywhere and wear it. I don't believe that only branded stuff looks good on you. If it doesn't look good in my eyes, I'll never wear it.
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It's really kind of hard to be a suburb of nothing. If you don't have a downtown, you really don't have anything. It's hard to build a community around parking lots and subdivisions.
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One of the biggest mistakes people make when they cook for other people is to think that it has to be fancy and elaborate. This results in enormous expense and nine days of labor, plus you end up trying to assemble a croquembouche in front of your guests and everyone's experiencing flop sweat.
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I grew up riding horses since I was eight. I rode English style and competed every weekend. I had two horses, Scout and Camille, and they were my babies. It taught me a lot about responsibility and commitment. I hope horses will always be in my life.
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I didn't grow up around all white people; I never wanted to gentrify hip-hop, I've never wanted to speak to an all-white audience.
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I grew up being terrified of my parents, particularly my father figures.
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When I was a kid, I used to make up all these characters. I love comedy a lot, and I don't get to do it often. Somewhere in the middle, I shifted into doing drama.
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After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.
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A girl came up to me in a bar and said she wanted to be my apple pie. I wish I'd said something cool, but I was stunned.
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Coming out of the 2016 election, there was a few things that became really clear. One, that black people deserve to have vehicles that represent the breadth of our interests. Two, that we really need to do a better job of being able to communicate what conditions and experiences our communities are facing.
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I always think I should try to get to bed early, but then I can't stop myself from watching telly and fiddling around on the net.
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I was going to Studio 54 when I was 12 years old. It's true. It's crazy.
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I grew up kind of a tomboy and I used to fight with all the neighborhood boys.
