Viola Davis Quotes
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It was hard, that confrontation scene [in "Fences"], that was a hard one. I felt like it was relentless, I never felt like I could just drop the ball when the coverage was on him or anything else.
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That's how I digest it, 'cause I can press the fast-forward button and I know that I'm gonna have to continue to be an actor, continue to make choices, continue to perform in a show every week.
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Each character has their own challenges. The challenge to doing one scene is your whole history of who you are and your relationships, you only have this one shot.
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Womanhood is you. Womanhood is everything that's inside of you.
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You cannot win an Emmy for roles that are simply not there.
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At the end of the day, nobody can tell you how to tackle failure or how to handle change. The world is very good at encouraging you to go along with the status quo and at basking in your successes. But when you hit a wall in your personal life, and you screw up, people don't give you a chance to navigate your way through it and tap into what's extraordinary about you.
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I talk to women all the time and try to impart wisdom.
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[Denzel Washington] was rustling with something and when he came back it was with a word about loving myself and the body that I'm in because I was still going on and on about the weight thing. I just liked that, because what people don't understand is that so much of what blocks us as actors is so personal.
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To me, it's always a luxury to be able to work with the best of the best because they make it easier for you to do what you do.
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Sometimes you take a job for the money, sometimes you take it for the location, sometimes you take it for the script; there are just a number of reasons, and ultimately what you see is the whole landscape of it. But I can tell you from behind the scenes - that's what it is, as an actor.
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When you shoot a scene, you remember every moment. You remember when your head went down, your head went up. You don't see little quirks, little eye movements, little lip movements. Once again, you become completely vain when you're watching it in a way that you weren't when you were shooting it. And the vanity, what it makes you focus on are everything that has nothing to do with the scene and everything to do with your own ego.
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The only thing that separates women of color from everyone else is opportunity.
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Do the work. Create the character, don't wing it and don't hope for an award or the Red Carpet. At the end of day the people who stay in the line the longest are the people who are good.
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Actor is just a strange profession, it really is, that you could be in front of the same people for years, and all of a sudden one thing happens, and it finally clicks.
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But the biggest beauty advice I've given my daughter is every morning I say, "Genesis, what are the two best parts of you?" And she says "my brain and my heart." And I say, "You've gotta remember that, Genesis. You've gotta remember that you're not what you look like," you know? I think that's the best beauty advice I could give her.
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We know the road of lack of recognition, of people telling us that we can't headline a movie because black women don't translate overseas, that every time we try to break the glass ceiling, people say no, people push back. And it's everything that people don't see out there.
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It would be great to bust through and make history. But what's more important is the opportunity to continue to get roles that are complicated and wonderful, to be a part of the narrative and to get to do what our counterparts are able to do. It doesn't just stop at holding an award.
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Are there women in your world now that have given you those lessons in confidence? Oh absolutely. Meryl [Streep] does it all the time. I think she does it in a way that she doesn't even understand or think she's doing it.
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Cicely Tyson was my inspiration to become an actor.
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I was like, 'What is this?' Until I found out it was stress related. That's how I internalized it. I don't do that anymore. My favorite saying in the world is, 'The privilege of a lifetime is being who you are.' I am telling you, I have spent so much of my life not feeling comfortable in my skin. I am just so not there anymore.
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I want my work to reflect my level of gifts and talent
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I've done a really bad job with teaching daughter to put on makeup, but I have taught her how to put on lipstick.
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I had to invest in the love and understand that with the love comes the pain. So when he tells me that, the monologue is already there. Does that make sense?
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I didn't see myself any different from my white counterparts in school. I just didn't! I thought I could do what they did. And what I didn't do well, I thought people were going to give me the opportunity to do well, because maybe they saw my talent, so they would give me a chance. I had no idea that they would see me completely different.