Viola Davis Quotes
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There's a big difference in doing a play or doing any project that not a lot of people see and then a project that you know everyone will see. There is more pressure, performance anxiety per se. And then when you do and what you love is really put to test.
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I’m a black woman who is from Central Falls, Rhode Island. I’m dark skinned. I’m quirky. I’m shy. I’m strong. I’m guarded. I’m weak at times. I’m sensual. I’m not overtly sexual. I am so many things in so many ways and I will never see myself on screen. And the reason I will never see myself up on screen is because that does not translate with being black.
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Do not live someone else's life and someone else's idea of what womanhood is. Womanhood is you. Womanhood is everything that's inside of you.
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I look back at pictures of myself and I remember thinking, "I was so fat when I was growing up. I was 165 pounds when I graduated from high school. I was a mess".
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I'm very committed to its educational institutions, including my alma mater Central Falls High School's drama program, because I know that's what got me my start. I do everything I can to keep it alive since it made me feel like I had something to give to the world. I also support the Segue Institute for Learning, a charter school in Central Falls run by a friend of mine that my niece attends. I'm committed to that because of its proven results. They have the highest math scores of any charter school in Rhode Island.
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Eating bread in Hollywood is a no-no!
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It's time for people to see us, people of colour, for what we really are: complicated.
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When you see what the deficit is, then you have to do something about it.
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For me, that was a hard scene [in "Fences"] to do twenty-something times, which (laughing), I counted. That was difficult, but once I did it, I felt like I could do anything.
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I think at the end of the day she [Rose from "Fences"] is a strong woman in the truest sense of the word. I think all of that is in the narrative; it's already there. The hope is there; the playfulness is there; it's there. I wish I could take credit for it, but it's there.
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Sometimes you see how humanity can rise above any kind of cultural ills and hate that a person's capacity to love and communicate and forgive can be bigger than anything else.
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You see all the young girls, and they're so skinny. I actually don't even twirl anymore. They say, "Twirl, let us see your back." I just tell 'em, "I do not twirl. If you want to see my back, when I walk away, you can take a picture of it. I'm not twirling." You know, I twirled once, and I almost fell. It looks ridiculous. So I said I'm not twirling anymore.
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I have a lot of spiritual books that I read that I really, really love - everything from the Bible to Joseph Campbell, who I love. He wrote The Hero of a Thousand Faces. It's about exploring what is heroic in you. It helps me a lot.
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I already optioned a book called The Personal History of Rachel DuPree. I also like The Book of Negroes by Lawrence Hill. And I love all of Octavia Butler's books. She's created some very complicated black heroines with a variety of belief systems. There are many great books out there, but those are a few of the ones that stand out.
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I don't think most people understand acting, even the people who call themselves savvy, even actors.
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At the end of the day, nobody can tell you how to tackle failure or how to handle change. The world is very good at encouraging you to go along with the status quo and at basking in your successes.
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I had several teachers who inspired me, in both the public school system and the Upward Bound program. I needed several, because I lived in such abject poverty and dysfunction. And they're still in my life today, because I consider them to be friends, actually.
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Acting, it's the disappearance of self, disappearance of your own needs and your own wants and the kind of embracing of the character that makes it work.
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When you pray, God puts people in your life to lead you when you cannot lead yourself.
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I think that what happens so often on screen is high-stake moments tends to look too pretty. And I just don't think it's honest.
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I want to span different genres. I want to be able to transform. I want to be able to be sexy, and funny, and quirky, and all the other things that I am. And I feel that the best way that I can achieve that is by producing.
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The world is very good at encouraging you to go along with the status quo and at basking in your successes. But when you hit a wall in your personal life, and you screw up, people don't give you a chance to navigate your way through it and tap into what's extraordinary about you.
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I am not a glam woman - this definitely is a mask I put on for the public.
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I felt that there could be some anger. There could be some frustration that he has the tendency to take over the room, but I wanted all of those things to show in the grays of her hair and the fact that her hips are much wider than they probably were when she met him. I wanted it to show in the fact that her hair is not done up all the time. I wanted it to be a part of that every day that wasn't in your face. Because then for me, that's overacting. To me, that's not "being." I wanted Rose [in "Fences"] to be many things.