Viola Davis Quotes
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You absolutely feel, as a black actress, that you've got to ride the wave because there's just so few roles. I hate to play that card, but it's the truth. There's not a lot of roles.
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Do not live someone else's life and someone else's idea of what womanhood is. Womanhood is you. Womanhood is everything that's inside of you.
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I really wanted to show [in "fences"] a marriage that is working. Not perfect, but working.
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I’m a black woman who is from Central Falls, Rhode Island. I’m dark skinned. I’m quirky. I’m shy. I’m strong. I’m guarded. I’m weak at times. I’m sensual. I’m not overtly sexual. I am so many things in so many ways and I will never see myself on screen. And the reason I will never see myself up on screen is because that does not translate with being black.
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You see all the young girls, and they're so skinny. I actually don't even twirl anymore. They say, "Twirl, let us see your back." I just tell 'em, "I do not twirl. If you want to see my back, when I walk away, you can take a picture of it. I'm not twirling." You know, I twirled once, and I almost fell. It looks ridiculous. So I said I'm not twirling anymore.
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I think that I'm coming off as the biggest alcoholic in the world.
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It's time for people to see us, people of colour, for what we really are: complicated.
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Lloyd Richards is another director who was like that, who was a teacher.
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You have to understand being an actress, and being an African American actress of a certain hue, I think that you have to be bold with your choices. Even when you're not bold with your choices, have people see it as bold.
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People are just not impressed by me at home.
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I've always seen myself for who I am, which is a lot of things.
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Most actors don't understand acting. I think it's an art form that craft is out the window. I don't think people get it at all, most of the time. Or they get some of it, not all of it. If you get an Academy Award nomination, you think 95 percent of the profession is unemployed at any given time, most people will never even find work as an actor, and the ones who do will probably make $50,000 a year at the most if they're lucky. Some will never do Broadway. Some will never do a major role. And a really, really, really small percentage of them maybe will be nominated for a major award.
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I think that's something that people feel that I do really well; I don't mind it, because ultimately I think the characters I play move people, and who wouldn't want to move people?
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Even when I go shopping, I don't shop as a woman. The only time I shop is when I need something, and I'm in and out in less than 30 minutes, so I have no energy to look at 50 million gowns and styles and make sketches and think about heels. I'm not girly in that way. I'm relying on the stylist to do 99 percent of the work.
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I think at the end of the day she [Rose from "Fences"] is a strong woman in the truest sense of the word. I think all of that is in the narrative; it's already there. The hope is there; the playfulness is there; it's there. I wish I could take credit for it, but it's there.
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When you pray, God puts people in your life to lead you when you cannot lead yourself.
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I'm very committed to its educational institutions, including my alma mater Central Falls High School's drama program, because I know that's what got me my start. I do everything I can to keep it alive since it made me feel like I had something to give to the world. I also support the Segue Institute for Learning, a charter school in Central Falls run by a friend of mine that my niece attends. I'm committed to that because of its proven results. They have the highest math scores of any charter school in Rhode Island.
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For me, that was a hard scene [in "Fences"] to do twenty-something times, which (laughing), I counted. That was difficult, but once I did it, I felt like I could do anything.
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We grew up in abject poverty. Acting, writing scripts and skits were a way of escaping our environment at a very young age.
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There's a big difference in doing a play or doing any project that not a lot of people see and then a project that you know everyone will see. There is more pressure, performance anxiety per se. And then when you do and what you love is really put to test.
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I have to say, doing theater, that's what you're trained to do. Doing film, when I first started doing it, felt like something else entirely. It felt like the difference between, I don't know, waiting tables and painting a great work of art. It's night and day. I didn't feel like it was even acting.
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I already optioned a book called The Personal History of Rachel DuPree. I also like The Book of Negroes by Lawrence Hill. And I love all of Octavia Butler's books. She's created some very complicated black heroines with a variety of belief systems. There are many great books out there, but those are a few of the ones that stand out.
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I think that you always want to gravitate towards people who absolutely are great at what they do and go for authenticity.
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Sometimes you see how humanity can rise above any kind of cultural ills and hate that a person's capacity to love and communicate and forgive can be bigger than anything else.