Viola Davis Quotes
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Acting, it's the disappearance of self, disappearance of your own needs and your own wants and the kind of embracing of the character that makes it work.
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Lloyd Richards is another director who was like that, who was a teacher.
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I really wanted to show [in "fences"] a marriage that is working. Not perfect, but working.
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I’m a black woman who is from Central Falls, Rhode Island. I’m dark skinned. I’m quirky. I’m shy. I’m strong. I’m guarded. I’m weak at times. I’m sensual. I’m not overtly sexual. I am so many things in so many ways and I will never see myself on screen. And the reason I will never see myself up on screen is because that does not translate with being black.
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There are all these awards that you've never heard of, and you get nominated, and suddenly you're at these awards shows, so you really don't care if you win. You really don't. You're going there, you're getting dressed up. And then you get to the awards show, and you sit down. You walk the red carpet. Everybody loves you. It's great. You sit down, and all of a sudden your category comes up, and you get nervous. And it's a complicated emotion, because it's not like you absolutely want to win, but then you don't want to lose.
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When you pray, God puts people in your life to lead you when you cannot lead yourself.
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Even when I go shopping, I don't shop as a woman. The only time I shop is when I need something, and I'm in and out in less than 30 minutes, so I have no energy to look at 50 million gowns and styles and make sketches and think about heels. I'm not girly in that way. I'm relying on the stylist to do 99 percent of the work.
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It's not anything that is just perpetuated by White America or just perpetuated by Black America. It's just a cultural understanding that you're just not a part of the equation when it comes to sexuality and I think that people mistake your lack of opportunity with the level of your talent.
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I do believe that there are African Americans who have thick accents. My mom has a thick accent; my relatives have thick accents. But sometimes you have to adjust when you go into the world of film, TV, theatre, in order to make it accessible to people.
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I think that I'm coming off as the biggest alcoholic in the world.
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I've always seen myself for who I am, which is a lot of things.
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Sometimes you see how humanity can rise above any kind of cultural ills and hate that a person's capacity to love and communicate and forgive can be bigger than anything else.
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Let me tell you something: The only thing that separates women of color from anyone else is opportunity. You cannot win an Emmy for roles that are simply not there.
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When a director can give you a word that allows you to feel less tense about yourself, to make you feel like you indeed are good enough before you even get to the work, you can't ask for anything more than that.
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It feels really good to embrace exactly who I am and be my sexy, to be my sexualized, to be my woman.
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I think that you always want to gravitate towards people who absolutely are great at what they do and go for authenticity.
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We grew up in abject poverty. Acting, writing scripts and skits were a way of escaping our environment at a very young age.
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You have to understand being an actress, and being an African American actress of a certain hue, I think that you have to be bold with your choices. Even when you're not bold with your choices, have people see it as bold.
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Most actors don't understand acting. I think it's an art form that craft is out the window. I don't think people get it at all, most of the time. Or they get some of it, not all of it. If you get an Academy Award nomination, you think 95 percent of the profession is unemployed at any given time, most people will never even find work as an actor, and the ones who do will probably make $50,000 a year at the most if they're lucky. Some will never do Broadway. Some will never do a major role. And a really, really, really small percentage of them maybe will be nominated for a major award.
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It's time for people to see us, people of colour, for what we really are: complicated.
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I want to span different genres. I want to be able to transform. I want to be able to be sexy, and funny, and quirky, and all the other things that I am. And I feel that the best way that I can achieve that is by producing.
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I think that's something that people feel that I do really well; I don't mind it, because ultimately I think the characters I play move people, and who wouldn't want to move people?
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I'm very committed to its educational institutions, including my alma mater Central Falls High School's drama program, because I know that's what got me my start. I do everything I can to keep it alive since it made me feel like I had something to give to the world. I also support the Segue Institute for Learning, a charter school in Central Falls run by a friend of mine that my niece attends. I'm committed to that because of its proven results. They have the highest math scores of any charter school in Rhode Island.
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There's a big difference in doing a play or doing any project that not a lot of people see and then a project that you know everyone will see. There is more pressure, performance anxiety per se. And then when you do and what you love is really put to test.