Viola Davis Quotes
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Relationships change us and make us grow.
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We know the road of lack of recognition, of people telling us that we can't headline a movie because black women don't translate overseas, that every time we try to break the glass ceiling, people say no, people push back. And it's everything that people don't see out there.
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I don’t want anyone putting any limits on me.
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I've done a really bad job with teaching daughter to put on makeup, but I have taught her how to put on lipstick.
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I didn't see myself any different from my white counterparts in school. I just didn't! I thought I could do what they did. And what I didn't do well, I thought people were going to give me the opportunity to do well, because maybe they saw my talent, so they would give me a chance. I had no idea that they would see me completely different.
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I've always seen myself for who I am, which is a lot of things.
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[I listen to] "Uptown Funk", Bruno Mars, sometimes even Nina Simone and Adele. Whatever comes up, whatever floats my boat, whatever makes me tap into something in me to just decompress - I listen to that.
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[Meryl Streep] just sent me an email, and I was like, "That's perfect." She was like, "Yes, Viola, now that you've just had your vow renewal...this is the best part of your life now. There's not anything that you don't know anymore in terms of what's good and bad out there, so now you can just fly." She's always imparting wisdom like that.
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It's time for people to see us, people of colour, for what we really are: complicated.
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The world is very good at encouraging you to go along with the status quo and at basking in your successes. But when you hit a wall in your personal life, and you screw up, people don't give you a chance to navigate your way through it and tap into what's extraordinary about you.
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I was like, 'What is this?' Until I found out it was stress related. That's how I internalized it. I don't do that anymore. My favorite saying in the world is, 'The privilege of a lifetime is being who you are.' I am telling you, I have spent so much of my life not feeling comfortable in my skin. I am just so not there anymore.
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I want my work to reflect my level of gifts and talent
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I have a lot of spiritual books that I read that I really, really love - everything from the Bible to Joseph Campbell, who I love. He wrote The Hero of a Thousand Faces. It's about exploring what is heroic in you. It helps me a lot.
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At the end of the day, nobody can tell you how to tackle failure or how to handle change. The world is very good at encouraging you to go along with the status quo and at basking in your successes.
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I don't think most people understand acting, even the people who call themselves savvy, even actors.
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I have to say, doing theater, that's what you're trained to do. Doing film, when I first started doing it, felt like something else entirely. It felt like the difference between, I don't know, waiting tables and painting a great work of art. It's night and day. I didn't feel like it was even acting.
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There's not one woman in America who does not care about her hair, but we give it way too much value. We deprive ourselves of things, we use it to destroy each other, we'll look at a child and judge a mother and her sense of motherhood by the way the child's hair looks. I am not going to traumatize my child about her hair. I want her to love her hair.
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When you see what the deficit is, then you have to do something about it.
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I am not a glam woman - this definitely is a mask I put on for the public.
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Tyler Perry's 'Madea Goes to Jail!' Which, I have to tell you, of everything that I've ever done in my career, that's the only thing that's perked up the ears of my nieces and nephews. That is it, that's done it for them. That made me a bona fide star in their eyes!
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It's not anything that is just perpetuated by White America or just perpetuated by Black America. It's just a cultural understanding that you're just not a part of the equation when it comes to sexuality and I think that people mistake your lack of opportunity with the level of your talent.
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It feels really good to embrace exactly who I am and be my sexy, to be my sexualized, to be my woman.
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I felt that there could be some anger. There could be some frustration that he has the tendency to take over the room, but I wanted all of those things to show in the grays of her hair and the fact that her hips are much wider than they probably were when she met him. I wanted it to show in the fact that her hair is not done up all the time. I wanted it to be a part of that every day that wasn't in your face. Because then for me, that's overacting. To me, that's not "being." I wanted Rose [in "Fences"] to be many things.
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Acting, it's the disappearance of self, disappearance of your own needs and your own wants and the kind of embracing of the character that makes it work.