Virgil Thomson Quotes
Every composer's music reflects in its subject-matter and in its style the source of the money the composer is living on while writing the music.
Quotes to Explore
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Unfortunately, there is still much to mine in this world and explore creatively.
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I'm a night owl for sure. I was born at 1 A.M., and that's the excuse I use.
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I grew up in Hemel Hempstead, Hertfordshire, and reading was a big part of my life - I'd get through several books a week.
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I'm not very good in crowds, so I usually try to become as small as possible.
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Do we really want Washington administrators coming between us and our doctors?
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I don't know what's going to happen in life, so I don't think it's fair that I know what's going to happen in 'Homeland.'
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When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.
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People who live in a glass house have to answer the door.
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I always think it's because of you know hard work, hard training. And if Susie's training hard, you know, why can't I train hard to get a world record. I'm doing the same thing.
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I always had dreams as a kid. I definitely sat at home and watched the Oscars every year and got emotional every year at everyone's speeches.
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There's layers to our stuff: Our top layer is like candy-coated pop, because we want to party and have a nice time, but we also have a lot of different human experiences and other levels present in the Die Antwoord experience.
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If people don't find what you are doing threatening, then it is probably not very important.
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You know, I've had an incredible career and I'm blessed.
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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The Arab states don't seem to do a good job of providing for their own people, so I am not sure why they would suddenly develop an ability to help the Palestinians.
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I'm still having fun, and I'm doing something and I'm seeing the world! I wasn't massively ambitious, but I did always want to do the best I could do.
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The four walls of paper are like a prison because every idea wants to spring out in all directions - everything is connected with everything else, sometimes more than others.
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I consider science fiction and fantasy my genre. And I've noticed over the years that there doesn't tend to be a lot of lighthearted, comedic stuff.
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He wanted to play accordion on something of mine and I said you can play accordion, but I want you to play piano and organ on some stuff. He came over a couple times a week for two weeks and gave me therapy as to whether I should do The Thorns or not.
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My family life reads a bit like 'Little House on the Prairie.' I was big sister to Joan, Renee, and brother William, and we grew up in Dalkey, a little town 10 miles outside of Dublin. It was a secure, safe and happy childhood, which was meant to be a disadvantage when it comes to writing stories about family dramas.
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Rush has never been a spontaneous group. We may be spontaneous in our writing, we may be spontaneous as individuals in our day to day lives... certainly I think am and always have been, but I think when it comes to Rush and our presentation of our music it's quite controlled.
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I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write.
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I've become sort of an accidental advocate for attachment parenting, which is a style of parenting that... basically, the way mammals parent and the way people have parented for pretty much all of human history except the last 200 years or so.
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Every composer's music reflects in its subject-matter and in its style the source of the money the composer is living on while writing the music.
