Virginia Madsen Quotes
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It's a roll of the dice when you're a first time director so I prefer to work with people that know more than I do, but that happens less and less as you get older.
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I really didn't like Batgirl. I was like, "No, if I'm not gonna be Batman, I'm not gonna play." Maybe they could write an evil female super villain who takes over Batman, and nobody knows.
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To me it meant, just looking at it from a Maya point of view, it meant that Paul Miles is always moving laterally in his life. And she just wants him to take a couple of steps forward, you know?
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Marg Helgenberger and I were waitresses in the same restaurant in Evanston, Illinois. I'm happy to say that that restaurant has since been torn down. [...] We both had an audition for ABC soaps - different soaps, but we auditioned at the same time, and she got the part and went off to New York. Three years later, I went to L.A. So she was kind of an inspiration to me. And it makes sense that we will both be in Wonder Woman together, because we ARE Wonder Women.
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Once your acting job is over, you just hope they have a good editor and they put together a good film.
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I have good genes. My father is Danish and my mother is Irish and Native American. They both have good skin.
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When I was growing up, the really, really cool super heroes were all male - so I wanted to be them.
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I tend to look for a great script.
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I love Keri Russell. I watched every episode of Felicity, and Waitress is my favorite film from last year. She's just an amazing actress. And I like her voice a lot - it didn't surprise me that she would be doing voiceover work.
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It's almost like I get to be more theatrical when I work in voiceover.
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It would be good if you opened your heart to the fullness of time and spirit.
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Dune was really my first Hollywood job. It was such a small part, but I opened the movie. I was about 19 years old and I had to make this speech, and I didn't understand most of the words because they were, you know, words from Dune.
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The actor side of me loves to get dressed up and I feel like Cinderella when I'm in diamonds.
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You cannot believe how hard it is to try and raise money for a film. I did it for six years and it was such a failure.
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In animation, there's silly things I get to do with my voice. I get to have a wider range, so my voice gets to dance more than it does on camera.
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I like how wine continues to evolve, like if I opened a bottle of wine today it would taste different than if I'd opened it on any other day, because a bottle of wine is actually alive. And it's constantly evolving and gaining complexity.
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Our audience is all the girls who made Britney a huge star. Those are the girls who bought the book. I didn't read the book at first. I read the script just to see what I would think of the script and I really liked it.
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I have to read comic books all first, because now when you get into graphic novels, they are definitely in deep graphic.
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Voiceover work reminds me of old-time radio. When I was little I used to sneak and stay up at night and listen to Mystery Radio Theater - I loved all those old radio plays.
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If my son would only listen to my advice, he would lead a perfect life. I'll still be saying that to him when I'm 75. I like to imagine that I have the control, but he's a teenager, so that never really happens.
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I always tell actors, "Don't think of it as unemployment when you don't have a job. You have to think of it as being in preparation for your next job." You have to be always preparing for success.
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I was always an actress, even as a little kid, and fantasy, horror, sci-fi stories are really all about playing make believe. I just never grew out of that.
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You know, we’re not on stage, we’re not doing a play, so we don’t have a relationship with the audience but going through that process and also just hearing how much people love the film, you feel like you do have a relationship with the audience.
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When you're the ingénue no one is really interested in you for that.