Zach Condon Quotes
I think, if I had my choice, I would spend all my time in the studio writing, and creating music.
Quotes to Explore
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I was taught from a very early age that I had to work twice as hard to get half as much. That was the world I grew up in - a very strong work ethic.
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I am a massive fan of early electronica like Steve Reich, Pat Metheny and Thomas Dolby. I used to be a big raver, too, so anything dance. I love ambient music like Tunng. I love acoustic and classical, too.
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I've already established my (political)machinery. It's like a car. It's fixed already. You just have to get in and drive it.
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If we were truly in the studio making a record, it would have been more time consuming, and certainly I would have been more involved in the writing process.
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This person they make me out to be irritates the hell out of me as well.
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Live as if you were to die tomorrow. Learn as if you were to live forever.
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In all three cases, and for most human beings, the problem of suffering poses no difficult problem at all: one has a world picture in which suffering has its place, a world picture that takes suffering into account.
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There are so many women who contributed in a very real way in pushing for the space program during the time in which there was a lot of competition to get into space first, and to know that there were African-American women who were integral in that success is pretty phenomenal.
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Every 20 minutes you've got to have a bump, you've got to have a change in course, you've got to unsettle the audience. It can't be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn't let an audience feel too settled in.
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When I was young I had an apprenticeship as an engineer.
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'From Here to Eternity' happens to be fourteen-carat entertainment. The main trouble is that it is too entertaining for a film in which love affairs flounder, one sweet guy is beaten to death, and a man of high principles is mistaken for a saboteur and killed on a golf course.
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Evil. Mistrust those who rejoice at it even more than those who do it.
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That's the best thing that classic can do, is it can return to us from our own past to give us lessons about the future, and it can give us a sense of both who we were and who we could become.
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Sometimes his methods are questionable, and even his morals are questionable, but his intention is always to protect Sydney. So in that way I think he's a good parent.
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The fact of the matter is the Arab elites are more inclined to accommodate our wishes because of certain overlapping interests that are often financial. That is not the case with the Arab masses.
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I watched Leicester City lose in the 1969 FA Cup final with my dad and granddad when I was eight and cried all the way home. I have seen them get promoted and relegated. I played for them for eight years. I even got a group of like-minded fans and friends to stump up a few quid to salvage the club when they went into liquidation.
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I started on computers with 'Billy Bathgate,' a little orange screen with black letters. I thought it was really cool, but it actually slowed me up for a while because it's so easy to revise, I tended to stay on the same page. I've learned to discipline myself.
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My vision and my creative ability is just so broad.
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I'm competitive – that's what defines me – and I love it.
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Dictatorship naturally arises out of democracy, and the most aggravated form of tyranny and slavery out of the most extreme liberty.
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The more we get what we now call 'ourselves' out of the way and let Him take us over, the more truly ourselves we become.
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The way to compose for me is to have lots of time.
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Knowledge of the past and an optimistic view of the present give you great opportunities.
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I think, if I had my choice, I would spend all my time in the studio writing, and creating music.
