Vivien Leigh Quotes
One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
Quotes to Explore
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As I followed my dream - stayed in-Spirit, that is, inspired - I made more money in the first year after I gave up my employment than I had made in the previous 35 years of my life.
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At 21 years old, I could produce 400 people like that.
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If you give what can be taken, you are not really giving. Take what you are given, not what you want to be given. Give what cannot be taken.
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That was one of those moments where I felt so confident. I played three matches in the same day.
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Reason cannot calm the storm of emotion, and emotion usually wins, until it settles down and allows reason to rise again and apologize on behalf of it.
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I have to admit that I can't take a whole fig and eat it on its own as I would a peach or mango. It's just too much.
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I am still shocking people today, and I don't know why. Is it because I'm a woman talking about sex and men? One magazine said that no one writes sex in the back of a Bentley better than Jackie Collins.
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I'm excellent at losing weight, but I've never been excellent at maintenance. I have some better days than others in terms of being hypervigilant, but with maintenance you don't know if you've been good at it until you're done.
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Great events make me quiet and calm; it is only trifles that irritate my nerves.
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People have been scared off Bitcoin by the fact that you needed to put your money in an unregulated overseas platform that has been cut off by banks and scrutinized by the Fed. We are looking to remove the pain points and create a way to invest that is faster and more secure.
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They have all different names for music. I think the music I'm going to change the style with is going to be really, really big-years and years after I'm gone.
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I'm not terribly confrontational, but I've gotten better at holding my ground.
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I barely watch TV apart from the news. Most of it is rubbish. There's all this reality nonsense and dross. I think there's a market for a well-produced, well-written melodrama like 'Dallas.' It's pure entertainment.
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I always put on M.A.C. Prep and Primer before anything.
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In my opinion, faith helps in many contexts.
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You've got to be yourself, and if you're not, you're a phony. It comes shining through if you're not careful.
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Even though I wrote 'The 3 Big Questions for a Frantic Family,' my life is as chaotic as most people's.
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Antidepressants are very good, but it's a clinical cosh, really. Sometimes you have to be knocked out, just to stop; when you're in that state all you want to do is just sleep, and rest your body and your brain.
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'Trilogy' was more of a claustrophobic body of work. Before it was released, I hadn't left my city for 21 years, and I had never been on a plane, not once. I spent my entire life on one setting; that's probably why pieces of the album feel like one long track, because that's what my life felt like. It felt like one long song.
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When I wrote Chuky script, I was a student at UCLA, an undergraduate and my biggest aspiration for it was that I would get my foot in a door somewhere, that I would get an agent or something and it was just beyond my wildest dreams that this big-time producer, David Kirschner.
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I've been pleased to work with so many wonderful stars through the years. This has been an amazing journey. I hope it continues.
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I'll be 56 this year, I've got two kids, and I think it's probably time to go back to writing one-glove jokes.
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One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
