Byung Hun (L.Joe) Quotes
Like our title song “Clap”, I want to become a singer that receive the applause from all people.
Quotes to Explore
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Tori Amos had a major influence on how I craft words in a song.
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The name 'Charmageddon' actually comes from a social technique that I use. Which is, you know, literally obliterating people with charm so that you can get away with saying stuff that no one else could ever get away with, you know?
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I care most about how people live their lives, what choices they make, and how they get the best from themselves.
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What gets people into trouble with records now is that they want to build something up without substantial musical ideas. Without that as a foundation, you can add all the layers of sound you want - it's still going to sound like a mess.
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I've always wanted to do a travel show for people who never thought they could.
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The priesthood is a marriage. People often start by falling in love, and they go on for years without realizing that love must change into some other love which is so unlike it that it can hardly be recognized as love at all.
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If people would dare to speak to one another unreservedly, there would be a good deal less sorrow in the world a hundred years hence.
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My couch is made of cat's hair. The cushions have been obscured, and it's made of salt-and-pepper fur. I can't have visitors. I can't ask people to sit on that couch because they become implicated in the furriness of it, and they're walking around, and it's not fair to people.
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There was no United States before slavery. I am sure somebody can make some sort of argument about modern French identity and slavery and North Africa, but there simply is no American history before black people.
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The people are hungry: It is because those in authority eat up too much in taxes.
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I would not run for president. I really like what I'm doing now. People say I'm giving them energy and hope.
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People really do not have time to read all the newspapers in the world and all the sites that we now commonly use on the web. There is no possibility of keeping up.
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When I think about atheist friends, including my father, they seem to me like people who have no ear for music, or who have never been in love.
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I purposefully try to make films in that grey area, where things are morally ambiguous. It's like life: good people do horrible things, and bad people do good things, and there's beauty in horror and horror in beauty.
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When we say Afro American, we include everyone in the Western Hemisphere of African descent. South America is America. Central America is America. South America has many people in it of African descent.
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I didn't grow up around all white people; I never wanted to gentrify hip-hop, I've never wanted to speak to an all-white audience.
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That's where the good ideas come from: the people, not the boardroom. But you have to be willing to put in the legwork.
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People have told me that I'm courageous, but I have seen greater courage.
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I grew up in Long Island City. When I was growing up, my parents owned a women's clothing store in Queens. It was for older women. I got my bras there, until I realized I didn't want those huge, taupe bras. Everything was beige, with massive amounts of hooks.
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Nine per cent of my viewers are men, of which the majority is, I think, 45 to 50. I like to tell myself it's just my dad watching.
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I am interested in the study of music and the discipline of music and the experience of music and music as a esoteric mechanism to continue my real intentions.
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I don't fall in love with inanimate objects. I don't bond with them. I only fall in love with people.
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Many ideas happen to us. We have intuition, we have feeling, we have emotion, all of that happens, we don't decide to do it. We don't control it.
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Like our title song “Clap”, I want to become a singer that receive the applause from all people.
