Carlo Rubbia Quotes
Soon after my degree, in 1958 I went to the United States to enlarge my experience and to familiarize myself with particle accelerators. I spent about one and a half years at Columbia University.
Quotes to Explore
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I won't allow myself to have tremendous fear.
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I suppose Spotify is a good thing. The ads are quite annoying, but a lot of people seem to like it and use it. I don't myself, but it seems like a good idea, and the labels are getting a huge amount of money off it, but the artists aren't, so that must be good for them... but not us.
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I tell myself every offseason I'm not going to say anything crazy. I'm just going to have a peaceful season... Can't do it. I'm cut from a different cloth.
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I love talking about myself.
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I allow myself to fail. I allow myself to break. I'm not afraid of my flaws.
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I've planned book tours for myself, whether or not anybody wants to hear what I have to say. I've weighed in on things like what the cover looks like, what the copy looks like, how it's going to be promoted - just every aspect of it.
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I've always had confidence. It came because I have lots of initiative. I wanted to make something of myself.
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Every story I create, creates me. I write to create myself.
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Life is like playing a violin solo in public and learning the instrument as one goes on.
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I get 0.5 seconds to react to a ball, sometimes even less than that. I can't be thinking of what XYZ has said about me. I need to surrender myself to my natural instincts. My subconscious mind knows exactly what to do. It is trained to react. At home, my family doesn't discuss media coverage.
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I think I've become more modest as the years have gone on.
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I was never a big fan of horror. I got into it making these films, but I don't ever see myself doing slasher movies. The kind of horror film I like is 'The Shining.' I don't really like slashers, but I love thrillers with tension.
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This experience has also humbled me by giving me a true understanding of what millions of others face each day in their own fight against cancer.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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I am a member of the Kiowa Gourd Dance Society; I visit sacred places such as Devil's Tower and the Medicine Wheel. These places are important to me, because they've been made sacred by sacrifice, by the investment of blood and experience and story.
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I enjoy it too much - even if I knew I'd never get a book published, I would still write. I enjoy the experience of getting thoughts and ideas and plots and characters organised into this narrative framework.
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I've seen myself on those lists of the 100 best guitarists, and if they think that I'm that good, thank them. Thank God for them. But I don't think so.
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I've been working on the screen right from childhood and am completely in love with my work. And this experience has taught me that ultimately, it's a good script, good work that matters, whether in Bollywood or in the South.
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There's just a natural instinct to want to be great, I think.
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I have the right to interpretation as a dramatist. I research. It's my responsibility to find the research. It's my responsibility to digest it and do the best that I can with it. But at a certain point that responsibility will become an interpretation.
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I couldn't have left my career as an actor on a better note than to have done a cameo in the Lost In Space movie. Doing this part is the highlight of my career. What a way to leave the profession!
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We want to go out there and smack Italy. I said to the boys ‘go out and give them a good hiding.'
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Soon after my degree, in 1958 I went to the United States to enlarge my experience and to familiarize myself with particle accelerators. I spent about one and a half years at Columbia University.
