Vandana Shiva Quotes
In civilizational issues you don't look at the tiny details as the debate. You have to look at the big picture!
Quotes to Explore
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We started by playing girls who only married at the end of the picture. We didn't play wives. That came later. But the most dreadful thing was when a star had to play a mother. That was the beginning of her professional end.
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I would love to do a Broadway play. I would love to do big screen also, motion picture.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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Life is painting a picture, not doing a sum.
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Nobody will ever notice that. Filmmaking is not about the tiny details. It's about the big picture.
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When I was out in Georgia doing photographs, I found myself trying to undo my own sense of composition. I'd think, 'Why do I want to take it like this? Is it because I want to take a beautiful picture?' It's quite hard to try and undo it.
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Even though I know who I am, musically I'm a blank canvas. I know what colors I want to use, but I don't know what picture I want to paint yet.
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The thing that makes writing so difficult is you don't have the element of serendipity. At least with a photograph, you can set up the camera, and something might happen. You might be a lousy photographer, but you can get a good picture if you just take enough of them.
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There are hundreds of books about Woodrow Wilson, but I have an image of him in my mind that is unlike any picture I have seen anywhere else, based on material at Princeton and 35 years of researching and thinking about him.
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My mum was a nurse, and her passion was geriatric care. I used to love listening to the old people's stories in her nursing home and picturing myself in their place. They'd say, 'I went to school in a horse and cart,' and I'd just think 'Wow!' I'd picture myself in their place - acting was a natural progression.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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I slept in van Gogh's bed. I worked in the room where he painted. I saw the place where he was cared for when he cut off his ear. I lived in the jail cell where he stayed. And I looked out the window. You remember that picture of the cornfields through the bars? That was what I saw.
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I had to go to a mirror and look at it. I couldn't picture myself in my own head. I had no image beyond a stick figure. I wasn't a mean person as a kid, or dumb, and something has to be said to justify excluding you.
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Beauty is in the character of a person. It's about having an interesting face and about what's inside. Anyone can take a good picture.
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Acting is a talent, but I like to see the whole picture.
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Almost inevitably there are tensions in the picture, tensions between the outside world and the inside world. For me, a successful picture resolves these tensions without eliminating them.
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Villains never know they are villains in a picture so I play this like I'm the nicest guy in the world.
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Entrepreneurs have only the murkiest picture of the future in which they are making their bets, and also there is ambiguity: they don't know when they push this lever or that lever that the outcome is going to be what they think it is going to be - there is the law of unanticipated consequences.
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The relational picture of space and time has implications that are as radical as those of natural selection, not only for science but for our perspective on who we are and how we came to exist in this evolving universe of relations.
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You wind up creating from silence, like painting a picture on a blank canvas that could bring tears to somebody's eyes. As songwriters, our blank canvas is silence. Then we write a song from an idea that can change somebody's life. Songwriting is the closest thing to magic that we could ever experience. That's why I love songwriting.
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I see songwriting as having to do with experience, and the more you've experienced, the better it is. But it has to be tempered, and you just must let your imagination run.
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My work is therapeutic: 'Monster's Ball,' 'Woodsman' and 'Shadowboxer,' because I don't go to therapy, and I sort of live life through my films.
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In civilizational issues you don't look at the tiny details as the debate. You have to look at the big picture!
