Vladimir Nabokov Quotes
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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I'm not coming back to play.
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I was taught to play that way when I was in high school and even before I got to high school.
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I play basketball on Sundays and I'm a very spiritual guy; I read a lot of Eastern philosophy and I meditate.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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I wonder if I maybe have a natural floatiness that comes through in everyone I play.
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I would love to do a Broadway play. I would love to do big screen also, motion picture.
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If you get a guy that can play a couple positions, it helps you out a real lot.
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When I'm not working... I'm an actor! I'm auditioning! I like to hang out, have fun, drink, club, meet boys, look for boyfriends, play MASH, the usual.
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I had aches and pains when I played. No player is ever 100 percent, 80 percent, 85 percent. Guys that play 158 or 162 or 145, we are all in the same boat.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction.
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I prefer to be in a video than to play with it.
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When I play a solo I'm just expressing that moment. It can go horribly wrong easily enough.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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The debt we owe to the play of imagination is incalculable.
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I would love to play a regular guy in a family drama.
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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Whenever our neighbour's house is on fire, it cannot be amiss for the engines to play a little on our own.
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I have loved my work, I have loved people and my play, but always I have been uplifted by the thought that what I have done well will live long and justify my life, that what I have done ill or never finished can now be handed on to others for endless days to be finished, perhaps better than I could have done.
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We play the instruments we love.
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I love to play for audiences that are simply made of people rather than so-called special people.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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Oh, my Lolita, I have only words to play with!
