C. Vivian Stringer Quotes
Offensively we were not making the extra pass and not getting a nice, smooth transition look. We were not attacking or executing our patterns. It wasn't Villanova. It's just the way we play.
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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I was taught to play that way when I was in high school and even before I got to high school.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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It is when we all play safe that we create a world of utmost insecurity.
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I wonder if I maybe have a natural floatiness that comes through in everyone I play.
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I still have my old Nintendo 64 that works. And I hook it up, and I still play the original 'Goldeneye.' I'm that geek. I have an 'NBA Jam' arcade machine in my office at 'SNL.'
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When I'm not working... I'm an actor! I'm auditioning! I like to hang out, have fun, drink, club, meet boys, look for boyfriends, play MASH, the usual.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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The debt we owe to the play of imagination is incalculable.
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I thought, 'I've been doing this for 16 years professionally. I have a window where I want to play leading parts.'
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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Sometimes I just crave to play in Shakespeare again and I know and love playing Orlando so much.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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When I was a lad in my 20s, as carefree and debonair as any other underpaid newspaperman, I happened to be a golfer who could flirt with par fairly often, and I was adventurous enough in those days to play any known or unknown thief who showed up at Goat Hills for whatever amount he fancied.
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I love Jet Li, but he looks very Chinese, and his English is Chinese-accented. He wouldn't have been the right guy to play a Japanese-American.
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You just have to play the character.
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I see when men love women. They give them but a little of their lives. But women when they love give everything.
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The dew, 'Tis of the tears which stars weep, sweet with joy.
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He is the most dangerous foe to human liberty that has ever set foot on American soil.
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I would often get called in to play a very loud, obnoxious - which, truth be told, I can be loud and obnoxious. My issue was when it was like a ghetto girl; I didn't think I was good at it; I didn't feel authentic. And so I had insecurities about going in on it.
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Offensively we were not making the extra pass and not getting a nice, smooth transition look. We were not attacking or executing our patterns. It wasn't Villanova. It's just the way we play.
