Ugo Mochi Quotes
I use a special tool. I make it myself; very sharp steel point and a handle like a pencil. For me it is a pencil. Maybe I have a special talent, a feeling you might say that lets me control it, to express my ideas as though I were sketching black on white.
Quotes to Explore
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Among the lesser effects of quantum theory are gaping holes in old ideas about causality.
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Emotions come first, and in the most direct sense: you first have an emotion and then have a feeling. But also first in the history of the human race, for the ability to have emotions long preceded the ability to have feelings.
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I'm the first to admit that the resolution of a hand feeling the belly doesn't compare with the resolution of a CAT scan scanning the belly, but only my hand can say that it hurts at this spot and not at this spot. Only my hand can say that.
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Because of where I come from, I never thought I'd see in my life a black candidate running for President.
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I struggle with control.
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The idea of 'advice,' in terms of telling people advice or asking people for advice, has become not comprehensible to me, to a certain degree, due to feeling, like, for something to be accurately defined as 'good' or 'bad,' I would want to know the context, goal, perspective for it.
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I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
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When you write as a woman, there's this feeling there's going to be a softness.
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How you leave the reader is so important - not the climax; I call it the 'exit feeling'.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
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When the women's movement began, it was a middle-class phenomenon. Certainly, black women had other stuff to think about in the '60s besides a women's movement. Working-class women were slow to get into it.
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That's where the good ideas come from: the people, not the boardroom. But you have to be willing to put in the legwork.
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When I was eight years old, I wrote a paragraph-long short story about a goat on my mother's hundred-pound, black-and-white-screen laptop. The story came about largely because I liked the way the word 'goat' looked on the page, but I decided then and there that I wanted to be a writer. That desire never changed.
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What is it precisely, that feeling of 'returning' from a poem? Something is lighter, softer, larger - then it fades, but never completely.
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I really do feel very lucky. I've had my kids and my relationships. I've set my life down - I'm in my house, and I'm alone with my children - and I'm at peace, and that's a really nice feeling. All I really want in my life is to maintain that.
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The best part about being married is feeling centered. Nothing else matters so much as long as you can come home and be with your family.
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I think that my preaching style and many of my ideas and ideals about faith are based in both Pentecostal and Baptist background.
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I've got weird conflicting feelings about my generation.
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I wanted to play incredibly challenging, multifaceted characters. Because we are all a puzzle.
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The place of justice is a hallowed place.
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My first and strongest memories about perfume come from childhood, from my mother, and they are a complex blend of her private and public selves.
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The lonely reality of the truth-that the most important person in your life suddenly ceased to exist. Which on a bad day meant maybe she had never existed at all. And on a good day, there was the other fear. That even if you were a hundred percent sure she had been there, maybe you were the only one who cared or remembered.
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I use a special tool. I make it myself; very sharp steel point and a handle like a pencil. For me it is a pencil. Maybe I have a special talent, a feeling you might say that lets me control it, to express my ideas as though I were sketching black on white.
