Natalie Portman Quotes
I was, like, a total cliched '80s child. I had Barbies, obviously, as well as My Little Ponies and Cabbage Patch Kids, but I used to destroy them. I used to draw all over their faces and cut off their hair.
Quotes to Explore
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The idea flow from the human spirit is absolutely unlimited. All you have to do is tap into that well. I don't like to use the word efficiency. It's creativity. It's a belief that every person counts.
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Sometimes I think people get into trouble because they can't say what they want to.
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The greatest mathematicians, as Archimedes, Newton, and Gauss, always united theory and applications in equal measure.
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For me, baseball is about, again, the team winning.
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Billy Jean King could not get credit when her husband was in law school and she was winning the Wimbledon, because he had to sign the cards. You know, you had these cases in the '70s of women who were mayors who couldn't get credit unless their husbands signed for them.
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Balance is key in cooking - you want a little acid, a little sweet, a little savory - the flavors should be harmonious.
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When I played Robert Howard in 'The Whole Wide World', I was struggling with it. There's this dual thing where you feel real good about being able to play this juicy part, and then there's constant shame: 'Who am I to pretend to know who this guy was? Who am I to represent this guy for people who never knew him?'
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The love story for me was the nature of the love and not the age of the lovers.
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Everyone should learn to tango in Argentina before they die.
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I think that the legitimacy of the court would be undermined in any case if the court made a decision based on its perception of public opinion.
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The way that people have gotten on board with me is the most encouraging thing in the world, but it's all very connected to the 14 years I've been on tour with Steel Train, even my band before that, Outline, and then fun. and now Bleachers.
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The first step to stringing the boss up from a lamppost is saying the boss is a moron.
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I find it hard to focus looking forward. So I look backward.
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Let's abolish the IRS, let's eliminate income tax, let's eliminate corporate tax, let's balance the federal budget, and if we need a tax, it can be one federal consumption tax.
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Singing in Yiddish was a great thrill for me and came about through Joe Papp, the founder of The Public Theater.
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I will admit to hoarding beauty products. I'm a beauty lady.
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Look good, feel good, play good.
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A dark poem is meant to redeem the dark part.
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As a writer, I was shaped by a desire to write for black people. That things were not being represented. That was my motivating force. That it has become what it has become is shocking to me. I just wanted to be able to take care of my kids.
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Theatre is like an actor's nectar, like how cinema is a director's medium.
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I'm like a magpie. I use lots of different things to build a character.
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My own personal aesthetic is all to do with real actors and real locations and a kind of almost hyper reality and actuality to things. But the digital world, I explore that through other mediums, with music videos and commercials. Even 'The Road' was a real learning curve for me with digital effects.
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There was a point when I was so sick of this physical perfection thing that I thought it would be good for all young girls to eat burgers and sweets as a rebellion but I don't think that anymore because it's not healthy.
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I was, like, a total cliched '80s child. I had Barbies, obviously, as well as My Little Ponies and Cabbage Patch Kids, but I used to destroy them. I used to draw all over their faces and cut off their hair.
