Canelo Alvarez Quotes
I never think about the knockouts. I go into every fight, do my work, and none of that stuff puts pressure on me at all.
Quotes to Explore
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At the beginning of all experimental work stands the choice of the appropriate technique of investigation.
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From a motivation perspective, helping others enriches the meaning and purpose of our own lives, showing us that our contributions matter and energizing us to work harder, longer, and smarter.
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I think when you're dealing with very tenuous scenes and difficult and heavy subject matter, it's important to be close intimately with your cast as friends, and be able to diffuse a lot of that tension and trust each other with the work.
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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Be prepared, work hard, and hope for a little luck. Recognize that the harder you work and the better prepared you are, the more luck you might have.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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I want to do work that has a message and casts a light over an area that's dark. But I'm fun and jovial, too.
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When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
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I didn't do my work for money or prizes - only for the excitement of discovery.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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There's something to be said in favor of working in isolation in the real world.
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I'm one of the lucky few who never had to face the whole 'Oh, you've had a baby, and now work will have to suffer' bit. It just wasn't a big deal when I got married and had a baby.
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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But having set myself these goals, I had to work really hard to achieve them.
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I want to fight the best guy. I always want to fight the best guy.
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But now - look, I have to take care of myself. I work out every day. I'm a dancer. I've always been an athlete, and I'm one of those people who start to go crazy if they don't run or do something.
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You find me at work; excuse the dust on my blouse. I sculpt my marble myself.
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Sometimes I get the story wrong, or it's the wrong story, and then things don't work.
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Another aspect of our work is multimedia teleconferencing.
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We are working to understand the tastes of people born in the 1980s and 1990s - it is very different from my generation. We do our own research. Marketing research companies, I think, are relatively academic.
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People tend to remember my performances, not me.
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I never think about the knockouts. I go into every fight, do my work, and none of that stuff puts pressure on me at all.
