Vanessa Kerry Quotes
We don't necessarily always agree, but hopefully we make each other think, and that's what matters.
Quotes to Explore
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Even when I was making the first 'Paranormal Activity,' I didn't tell anyone I was making it, not my friends or neighbors or co-workers. I just kind of found that there was nothing to gain by announcing to the world that you're doing something.
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For me, one thing I love is having an arc for a character.
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The first 'Monsters, Inc.' represents starting at Pixar for me, I have a special place in my heart for it. So to be able to tell a story with those ideas is an honor.
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I had long had an instinct about there being a role for me in a creative industry. Maybe I didn't listen to that voice as much earlier on, but when it had become a deafening sound in my head I realised I had to go and explore it.
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I think every fight is different based on who is fighting.
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Curves are the essence of my work because they are the essence of Brazil, pure and simple.
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In my career, there have been roles I haven't taken because someone involved with the project gave me a bad vibe. I don't care how much money is on the table: No job is worth feeling uneasy every day.
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Mel will always be Mad Max, and me, I will always be a Number.
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A president can't go to every memorial service.
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I get asked to comment a lot on inequality in cycling, but for me it has never been an issue. Everything has always been equal on the track, and the male and female riders are all part of the same team, and we all mix freely.
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Just being the seeker, somebody whose open to spiritual enlightenment, is in itself the important thing and it's the reward for being a seeker in this world.
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Professionally, I remember Cronkite as a kid growing up, and more so for me, the importance of Cronkite was not him sitting there at the anchor desk, but him out there doing things.
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To win in Australia, for me, has to be the ultimate success because the Aussies live for sport.
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I was a social worker for Baltimore families. Now I'm a social worker building opportunities for families throughout America.
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I'm easily entertained.
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Whenever you do a new interpretation of a great, previous text of any kind, you always look for some kind of immediate significance right now.
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Even if it wasn't always morning in America during the years of his presidency, Reagan's eagerness to insist that it was tapped into a longing among voters. They didn't want to picture themselves turning down their thermostats and buttoning up their cardigans. They wanted to strut again. Reagan opened his arms and said, 'Walk this way.'
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I put on whatever is comfortable on me. Suit, jeans and tee as long as it's comfortable. It doesn't matter what brand. If it looks good I buy it.
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I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
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When I think of a story, somehow it just always seems to come out involving spooks and spies and government skullduggery.
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Without community events like NewFest, I don't think we'd have a queer cinema in America.
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Working with the brothers can put pressure on my voice, so I choose to do my own solo thing so I can save my voice. I couldn't do both now. The Neville Brothers is a funk band; they play loud, and I have a strong voice.
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To my mind [ Jonathan Edwards] is an interesting figure because he is both a canonical Reformed thinker, and yet also someone that pushed the envelope in a number of key areas of theology.
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We don't necessarily always agree, but hopefully we make each other think, and that's what matters.
