Michael Ian Black Quotes
As an actor, you can show up on a set and be on a TV show for three or four years, or whatever it is and, by the end of it, you just want to do something else.
Quotes to Explore
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Blackness is a state of mind, and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white woman. So out of that reason alone, I identify more with the black community.
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We the voice of the young world. We the voice of the people.
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If you look at the carrying capacity of agricultural areas throughout the world, their ecological habitats are changing. So I think we're looking at - in our lifetime - great collapses of food services.
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Jessica Jackley has a gift for making people want to fork over their cash. To total strangers. Far, far away.
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We rarely grow when we're happy, we grow when we hurt.
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It usually starts with the director and any other creatives who may be involved at the start. It's a collaboration. I bring what I have naturally and, hopefully, what they cast me for, and then we start playing and tweaking until we have what they feel's right. It helps to have some artwork to inspire me, but I don't always get that luxury.
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I want a girlfriend who eats as much as I do, which is a lot.
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Studios and networks who ignore either shift - whether the increasing sophistication of storytelling, or the constantly shifting sands of technological advancement - will be left behind.
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I talk openly about my past and what I've gone through - abuse being something that was very real in my household, and a lot of chaos growing up as a child. I think that I naturally just gravitated towards music that I could really feel on a deep level - and that meant sadness. I was able to connect with that at a really young age.
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God judges us on the basis of the miraculous atonement by the Cross of Christ.
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A novel is what you call something that won't sell if you call it poems or short stories.
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Piano playing is more difficult than statesmanship. It is harder to awake emotions in ivory keys than it is in human beings.
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My background is on the stage, so when I'd write movies, they'd be a lot like plays.
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I've worked with very few directors who've asked of me what I asked of myself.
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But the hearts of small children are delicate organs. A cruel beginning in this world can twist them into curious shapes.
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There are some real positives for Wales. Their back four's not bad, sometimes.
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When you see something that is well-written, the actors can get behind it.
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The key to success is to raise your own energy; when you do, people will naturally be attracted to you. And when they show up, bill ‘em!
