M. William Phelps Quotes
Quotes to Explore
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There's one thing that I like about Rome that was stated by Napoleon: that from sublime to pathetic is only one step away. And in Rome there's a constant shifting between sublime and pathetic.
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For me, art is always a kind of theater. When I started the spot paintings, I made them as an endless series. But I was never serious about it being an endless series. It was just an implied endless series. The theater means you just have to make it look good for that moment in the spotlight.
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It's funny that I got to do 'On the Road' because the thing that had the biggest impact on me growing up was reading books. I was very inspired by the book and this spirit of Dean Moriarty and how envious we all are of somebody who can be that carefree.
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After about twenty issues of Josie, they decided to pay me.
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He took particular delight in neutralizing those who desperately needed to be neutralized, those overblown, self-important, arrogant half-wits who were always running about dictating behavior, morals, and theology to everyone else. And he never looked back.
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Humanity, let us say, is like people packed in a automobile which is traveling downhill without lights at a terrific speed and driven by a four-year-old child. The signposts along the way are all marked "progress."
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There are so many things where I realize, like, simple circumstance, like the simple choice that I made one night to not do that and to do this, one night could have changed everything.
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Creativity involves putting your imagination to work. In a sense, creativity is applied imagination.
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The most important thing when ill is to never lose heart.
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I've really gotten over pedals. I can't keep up with this craze of boutique pedals that make you sound like everything but your guitar. I can't get my head around it.
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Men are like fine wines - the older they get, the better they get.
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Painting is similar to music. You get a couple or words or notes or chords that excite you, and you just follow them and add a bit more and see where it takes you. That's the thrill for me. It still is a thrill, which is amazing after all this time.
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He's a dream. He's the greatest. We shoot about 14 pages a day, which is maybe seven different scenes, which is a lot for a TV show. And I don't think we ever work over 12 hours. But that's because we don't really rehearse. We don't. We get some notes and maybe Denis changes this bit of writing or that. He's so present. He has a special talent in that he's so truthful. Working with him, you just fly with the material. He's very centred and very generous.
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Crises are part of life. Everybody has to face them, and it doesn't make any difference what the crisis is.
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Ben Espey sat at his desk and looked over his notes.