Valie Export Quotes
I was trying to develop a completely new, nonvoyeuristic approach to the female body as something other than a visual object. I wanted to find out what happened when you leave behind the voyeuristic mode and confront people with reality. But that's what was so interesting for me to discover: People don't want to see reality. It's a pretty simple idea, really, this question of how we deal with reality. When something is constructed, when it's projected onto a screen, it's acceptable, but it's different when it's there in front of you in a public space.
Quotes to Explore
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I grew up in a very large, poor family.
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The first 'Monsters, Inc.' represents starting at Pixar for me, I have a special place in my heart for it. So to be able to tell a story with those ideas is an honor.
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'Sister Act' was my first audition out of school. I was 21 and cast as the understudy. It was non-Equity, so I lived in L.A. on $300 a week. I did that for a month and then came to New York to do a couple of gigs, including 'Hair' in the park, before going to London with 'Sister Act,' where I played the lead.
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My mother did all she could to control me, but at age 14 she sent me to a military school.
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Literature is one of the most interesting and significant expressions of humanity.
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My plan was to stay in Canada to make films.
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It's tough to be 68 and dating. I've given it up now.
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I wanted to see how flavors, spices, and grains traveled back and forth along the Silk Road and were interpreted by a multitude of cultures' palates.
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I got in a really bad accident in a Toyota vehicle, but I feel like the safety of the vehicle and God really saved my life.
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No money is better spent than what is laid out for domestic satisfaction.
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You parents of the wilful and the wayward! Don't give them up. Don't cast them off. They are not utterly lost. The Shepherd will find his sheep. They were His before they were yours - long before He entrusted them to your care; and you cannot begin to love them as He loves them.
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Whenever I read a script, I start recasting the role that I might play. I'm like, 'God, this should be played by Domhnall Gleeson, not me.'
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I have no writing habit. I work when I feel like it, and I work when I have to - mostly the latter.
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I do not believe in abortion at will. I do not believe that if a woman just wants to have an abortion she should... I do believe if you have an abortion you are committing murder.
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When I was a kid, I wanted to be a baseball player.
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First and foremost when you're doing comedy, you gotta be relevant and applicable to the times that you're living in. When you try and just do comedy about who is dating who and lifestyle jokes, it gets tiring after a while. It's hard to be funny in that realm.
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Imagine: in the medieval ages, there was no evidence of how the history of mankind has been affected by witchcraft. But there is significant factual history of how brutality and sadism of mankind have been displayed in the most obscene manner in the name of witch-hunt.
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As software engineers trained to turn ambiguity into absolutes and fuzzy requirements into ones and zeros, we had a 'eureka' moment when we realized that our training had broader, real-world applications.
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The little people must be sacred to the big ones, and it is from the rights of the weak that the duty of the strong is comprised.
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In 1983, my second year of law school, I became the only white player in the Ogden Park Basketball League at 65th and Racine. My teammates joked that I integrated the league, which I guess is true. They weren't so much focused on integration as on winning, and they knew you can't teach height. 'He can't jump, but he sure is tall.'
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If you're having dinner with friends and they're always on the phone or always texting, it's just impolite. Unless it's something important - like someone is in the hospital or something - don't do it.
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The art of acceptance is the art of making someone who has just done you a small favor wish that he might have done you a greater one.
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If I could take you back in time to the fifties and walk you around to some of the places where I grew up, you'd be trying to get back in your time machine. It wasn't all sock hops - matter of fact, I never saw a sock hop.
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I was trying to develop a completely new, nonvoyeuristic approach to the female body as something other than a visual object. I wanted to find out what happened when you leave behind the voyeuristic mode and confront people with reality. But that's what was so interesting for me to discover: People don't want to see reality. It's a pretty simple idea, really, this question of how we deal with reality. When something is constructed, when it's projected onto a screen, it's acceptable, but it's different when it's there in front of you in a public space.
