Orhan Pamuk Quotes
First, I would find an object which I would think is suitable for my characters and stories, then write about it, and in the end, I ended up with a house full of thousands of objects.
Quotes to Explore
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A world without Tony Randall is a world that I cannot recognize.
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I am sick and tired of the process where everybody tells you that Indian companies don't have the technology and capability. We need to put money where our mouth is and make things happen, and that is what we are trying to do.
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I don't think I have a signature.
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I think 'The Color of Money' was very instrumental in opening up other opportunities. People started to recognize me as an artist after that film. And then, after I did 'Bird,' it was more solidified.
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When what we are is what we want to be, that's happiness.
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Poets lose half the praise they should have got, Could it be known what they discreetly blot.
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Let us remember we are all part of one American family. We are united in common values, and that includes belief in equality under the law, basic respect for public order, and the right of peaceful protest.
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In TV, you're always confused because you legitimately don't know what you're doing the next week.
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When I was in the private sector, I found it immensely useful to go out and talk to customers and co-workers.
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There never was a time when, in my opinion, some way could not be found to prevent the drawing of the sword.
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Life isn't about quantity, it's about quality.
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I call Washington 'the city of the perishable.'
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When I had cancer - of the colon first, followed by breast cancer and a mastectomy - my motto used to be 'Drips by day, Prada by night.' I felt that I had to grasp it in the same way as you'd take on any challenge.
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The American landscape has no foreground and the American mind no background.
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There are many things I love in this world. Music, acting, and animals are at the top of that list.
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Ours is one continued struggle against degradation sought to be inflicted upon us by the European, who desire to degrade us to the level of the raw Kaffir, whose occupation is hunting and whose sole ambition is to collect a certain number of cattle to buy a wife with, and then pass his life in indolence and nakedness.
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I was 12 when it really hit me. I did children's theatre camp during the summers and played a fairy in 'A Midsummer Night's Dream.' The next summer, I played Clytemnestra in 'Agamemnon' and I was like, 'OK, this is amazing.'
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My mother is my hero.
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This industry isn't fair. It doesn't owe anybody a career. It's just about luck, determination, and showing up and being professional. The rest is out of your hands.
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When I was making my first films, I was very interested in Hollywood B movies.
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Some talk shows have become so exploitive and tabloid, I wonder if I can believe some of their guests. Where do they find these guests, and why do they deserve air time?
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What I do find enormously gratifying is the reviews my books get from the American press. They are so on the ball compared to anywhere else. It's so satisfying to get a review that conveys the reader understood precisely what I was trying to get at.
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The house of magic has many rooms.
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First, I would find an object which I would think is suitable for my characters and stories, then write about it, and in the end, I ended up with a house full of thousands of objects.
