Michael Moorcock (Michael John Moorcock) Quotes
Arthuriana has become a genre in itself, more like TV soap opera where people think they know the characters. All that's fair enough, but it does remove the mythic power of the feminine and masculine principles. So I prefer it in its original form, even if you have to wade through Mallory's 'Le Morte d'Arthur' - people smashing people for pages and pages! It still has the resonances of myth about it, which makes it work for me. I don't want to know if Mordred led an unhappy childhood or not.
Quotes to Explore
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There is always time to add a word, never to withdraw one.
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No person was ever honored for what he received. Honor has been the reward for what he gave.
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Corruption is in society and in every strata of society.
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I remember looking back on a photo of me... wearing a suit that was, like, two sizes too big for me. I think a lot of guys don't know what fits.
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'Idol' was groundbreaking television. I am very fortunate to have won the show at the time. 'Idol' changed my life, and I am thankful.
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Despotism is a long crime.
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I would've been a really big silent movie star.
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Is your remarkably sexist drivel intentional, or just some horrible mistake?
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As a spectator, you get to watch everything, but I'd much rather be playing than watching. I'll have time to watch later in my career.
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I never participated in far-reaching political decisions, since I never belonged to the circle of the closest associates of Adolf Hitler, neither was I consulted by Adolf Hitler on general political questions, nor did I ever take part in conferences about such problems.
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That's what we're striving for, making us a contender in every race.
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I'm interested in all forms of performance, yet I think it's difficult to be as equally talented in all of them as they call for such different skills. At the moment, I still feel I'm learning and want as much experience and variety as possible.
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The Amen of nature is always a flower.
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I wanted to write a new fable and see how many rules you could break.
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It's sacred for an actor to keep their personal life personal.
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If I wrote in Jacob Riis' time, I'd be writing about teeming slums in our cities and kids dying of tuberculosis or outhouses in Philadelphia or kids losing their toes because they were living in homes without heat. He took on a battle in 'The Battle with the Slums' - and we won.
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I look at smoking as a crutch, and as an actor I would like strip away as many crutches as possible.
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I've had the greatest respect for my work in this country by Americans. Critics have no brains.
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'Twin Peaks' without David Lynch is like a dog without a bark.
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When I moved out to Los Angeles to get some film and television work, and couldn't get any... I became a little isolated, a little terrified, and it's a good place to get writing, because you're so bored. So I wrote a few screenplays, and people notice those.
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There was a widespread indignation in the American media. They were saying, 'How can you make a movie during an election that's about politics? What are you doing? Are you trying to influence people's lives?' To which my response was, 'Well, I hope so.'
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We work with every one of them to see if their character wouldn't say a certain thing or if something is worded awkwardly - we work with them to rectify that.
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There are challenges in terms of the measurement of VAR for what are known as nonlinear derivatives, where things like gamma and vega are important dimensions of the risk.
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Arthuriana has become a genre in itself, more like TV soap opera where people think they know the characters. All that's fair enough, but it does remove the mythic power of the feminine and masculine principles. So I prefer it in its original form, even if you have to wade through Mallory's 'Le Morte d'Arthur' - people smashing people for pages and pages! It still has the resonances of myth about it, which makes it work for me. I don't want to know if Mordred led an unhappy childhood or not.
