Michael Moorcock (Michael John Moorcock) Quotes
Arthuriana has become a genre in itself, more like TV soap opera where people think they know the characters. All that's fair enough, but it does remove the mythic power of the feminine and masculine principles. So I prefer it in its original form, even if you have to wade through Mallory's 'Le Morte d'Arthur' - people smashing people for pages and pages! It still has the resonances of myth about it, which makes it work for me. I don't want to know if Mordred led an unhappy childhood or not.
Quotes to Explore
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There is always time to add a word, never to withdraw one.
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No person was ever honored for what he received. Honor has been the reward for what he gave.
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Corruption is in society and in every strata of society.
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I remember looking back on a photo of me... wearing a suit that was, like, two sizes too big for me. I think a lot of guys don't know what fits.
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'Idol' was groundbreaking television. I am very fortunate to have won the show at the time. 'Idol' changed my life, and I am thankful.
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Despotism is a long crime.
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I would've been a really big silent movie star.
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Is your remarkably sexist drivel intentional, or just some horrible mistake?
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As a spectator, you get to watch everything, but I'd much rather be playing than watching. I'll have time to watch later in my career.
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I never participated in far-reaching political decisions, since I never belonged to the circle of the closest associates of Adolf Hitler, neither was I consulted by Adolf Hitler on general political questions, nor did I ever take part in conferences about such problems.
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That's what we're striving for, making us a contender in every race.
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I'm interested in all forms of performance, yet I think it's difficult to be as equally talented in all of them as they call for such different skills. At the moment, I still feel I'm learning and want as much experience and variety as possible.
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The Amen of nature is always a flower.
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I wanted to write a new fable and see how many rules you could break.
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It's sacred for an actor to keep their personal life personal.
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If I wrote in Jacob Riis' time, I'd be writing about teeming slums in our cities and kids dying of tuberculosis or outhouses in Philadelphia or kids losing their toes because they were living in homes without heat. He took on a battle in 'The Battle with the Slums' - and we won.
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I look at smoking as a crutch, and as an actor I would like strip away as many crutches as possible.
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I've had the greatest respect for my work in this country by Americans. Critics have no brains.
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How could you have a soccer team if all were goalkeepers? How would it be an orchestra if all were French horns?
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When I was in graduate school, I had a teacher who said to me, 'Women writers should marry somebody who thinks writing is cute. Because if they really realised what writing was, they would run a mile.'
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There's not enough black films out there. There's not enough Latin films, or films that have an Asian, Indian or Middle Eastern lead. The list goes on and on.
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With 'Taxi Driver,' I had this eureka moment. I realized that acting could be much more than what I had been doing. I had to build a character that wasn't me.
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I teach at Harvard, and focusing on understanding this problem on a national level is a big priority of mine right now - where evictions are going up and down, what cities are actually instituting policies that work, what housing insecurity is doing to our cities, neighbourhoods, our kids.
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Arthuriana has become a genre in itself, more like TV soap opera where people think they know the characters. All that's fair enough, but it does remove the mythic power of the feminine and masculine principles. So I prefer it in its original form, even if you have to wade through Mallory's 'Le Morte d'Arthur' - people smashing people for pages and pages! It still has the resonances of myth about it, which makes it work for me. I don't want to know if Mordred led an unhappy childhood or not.
