Yasujirō Ozu Quotes
I consciously did away with fade-ins and replaced them with the cut. Henceforth, I never used such editing techniques again. In fact, neither dissolve, fade-in nor fade-out can be regarded as 'the grammar of film,' they are no more than characteristics of the camera.
Quotes to Explore
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To get a film in Cannes is a real honor. To have it play and not get booed is a real relief.
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The stage and working in front of a camera are two completely different mediums. Each requires different techniques.
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But the process of making a film is not glamorous. Certainly not my films.
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Film has played such a big part in my life, in my impressions of the United States.
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I'm extremely particular how my look should be in a film.
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The film depends on the audience's belief in this relationship.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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Being in a Woody Allen film. I cherish it.
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My first film is coming out, and it's in 3D, and it's 'The Hobbit,' so it's a bit weird.
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The world just does not fit conveniently into the format of a 35mm camera.
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The camera cannot lie, but it can be an accessory to untruth.
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I know actors come around and they always talk like that, but I don't do publicity if I don't like the film.
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My co-stars call me selfish. They say, 'You are only interested in yourself and what you are only interested is yourself and what you are doing in front of the camera.' I reply, 'I can't help it; it's what got me where I am.'
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The dynamic range of a digital camera is not that much greater than film, particularly if you push the ASA a little bit.
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A big budget studio film is slower, they've got so much to create around you. Everything is more complicated.
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I love to act. And oh-so-love telling stories through film as an actor. Even on my 'days off.'
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I don't listen to Bollywood music much. But yes, I listen to Indian music quite often, and other non- film music.
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I have always been a very keen walker, though, and I often took a camera with me on my walks.
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I have fun making films. I love making films. It's the only thing I know how to do. And I do it well.
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I can work 24 hours a day and not have it bother me.
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It's unnatural to fight somebody who has nothing against you and never did anything to you or to your family, who never stole anything from you. And now you've got to go and try to dismantle this guy.
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In the first week of the showings of the The Matrix Revolutions, The Godfather and The Godfather Part II played on cable television. I started watching, and I was held; I wanted to go through the process again. Can anyone credit that 30 years from now there will be an audience for the three parts of The Matrix, anywhere? Even if Keanu Reeves is our president by then?
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I would say that there is no future for literary studies as such in the United States.
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I consciously did away with fade-ins and replaced them with the cut. Henceforth, I never used such editing techniques again. In fact, neither dissolve, fade-in nor fade-out can be regarded as 'the grammar of film,' they are no more than characteristics of the camera.
