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It's easy to get distracted by the vaudevillian aspects of the healthcare debate.
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The greatest sin for a writer is to be boring.
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I've always enjoyed making people laugh. But in order for me to be funny, I have to get ticked off about something.
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I'd always wanted to write books ever since I was a kid.
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My driving record is not exemplary, but I have never had a speeding ticket over 100 m.p.h. I can say that unequivocally.
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If you write satire, the guilty pleasure these days is that there's just so much material about. On the other hand, if you have a family it can be depressing.
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Obviously you have to make a profit to put out a newspaper. I'm not an idiot. But when the margins are in excess of 25 per cent you're talking about greed.
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To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills - you learn to listen, you learn to take notes - everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels.
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The one word that no politician will ever speak, is 'enough.' Enough.
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Good satire comes from anger. It comes from a sense of injustice, that there are wrongs in the world that need to be fixed. And what better place to get that well of venom and outrage boiling than a newsroom, because you're on the front lines.
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When you put on the suits, when you pretend you're honest and you're robbing at a far higher level, these guys deserve to... well, to be in my novels, and I have special fates reserved for them.
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They have a crystalline sense of right and wrong; it disappears when they walk out the door with their M.B.A.
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My books are character-driven. They're not driven by the story.
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As frightening as this may sound, what you see in the books is the way I see the world. And so far I haven't seen anything, either in Florida or elsewhere, to dissuade me from it.
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Kids feel so strongly about what's going on today and what's happening to the world, and that's very inspiring. I feel more hopeful than ever before about the future.
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I'd love to see a good script of one of my books, in these years of animations and comic book sequels, and had so many written over the years, but none quite clicked.
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Humor can be an incredible, lacerating and effective weapon.
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When you're given a newspaper column, you're not being paid to sit on a fence and scratch your chin and say 'On the one hand this' and 'On the other hand that.' You're getting paid for your opinion.
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Nobody with an IQ higher than emergency-room temperature could ever believe that 'death panels' would be appointed to nudge the elderly toward euthanasia. Yet for idle entertainment, it's hard to beat Sarah Palin's ignorant nattering on the subject.
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There's so much hate that we direct externally that we forget we have our own psychos. But that's the role of the satirist - you have to examine your own country and say, 'look!'
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Sure, I'll have characters drop in and out of books but the main cast of characters always changes. Maybe I'm wrong but I think if had the same joe detective guy or gal, I wouldn't write them as well; I wouldn't do as good a job.
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Humor can be an incredible lacerating and effective weapon. And that is the way I use it.
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My humour has always come from anger, but I have to make sure I don't just get angry and jump on a soapbox.
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When I'm deciding to read a book, I never open to the first chapter, because that's been revised and worked over 88 times. I'll just turn to the middle of the book, to the middle of a chapter, and just read a random page and I'll know right away whether this is the real deal or not.