Michael Rapaport Quotes
Quotes to Explore
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction.
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I once literally had a casting director ask my agent, 'Can she play anything other than a drunk?'
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I grew up playing about 15 instruments and the way that I was able to accomplish that was by cutting my classes, hanging out in the band room all day, and going from one instrument to the next to the next, until I learned how to play everything by ear.
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You feel this pressure that people will take you more seriously if you play guitar, but I've decided I'm a singer and that's enough.
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The villains that I play, I always think that they are grounded, wonderful people with enormous intellects who are very exciting to spend an evening with. I never see them as bad people.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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The greatest obstacle to being heroic is the doubt whether one may not be going to prove one's self a fool; the truest heroism is to resist the doubt; and the profoundest wisdom, to know when it ought to be resisted, and when it be obeyed.
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I wrote my first play when I was eight.
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The '70s were a time of turmoil and turnover. But I grew up here. I always wanted to play here.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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With a rock band, you play the same things over and over and over.
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If I play, I try to concentrate on producing my best.
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I'm still enjoying discovering more designers and getting to play dress-up in a bigger way than I ever have before.
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My first play was 'The Room', written when I was twenty-seven.
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I do tend to play characters that have a lot of costume and hair change. I sort of like the change of physicality thing.
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A genius may perhaps be a century ahead of his age and hence stands there as a paradox, but in the end, the race will assimilate what was once a paradox, so it is no longer paradoxical.
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They're all good-looking. So we don't want to play that card.
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We live in a time when writers do not always have barriers around them.
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Helping others is not limited to providing food, shelter, and so forth, but includes relieving the basic causes of suffering and providing the basic causes of happiness.
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Philosophy is really nostalgia, the desire to be at home.
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Only a genius can play a fool.
