Tony Kushner Quotes
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I don't understand why I'm not dead. When your heart breaks, you should die
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Real love isn't ever ambivalent.
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I work best after the deadline has passed, when I'm in a panic.
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One wants to move through life with elegance and grace, blossoming infrequently but with exquisite taste, and perfect timing, like a rare bloom, a zebra orchid... One wants... But one so seldom gets what one wants, does one?
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There are two strains, I think, in American playwriting, of importance. One is traditional narrative realism, which is definitely my strain, and then the other great contribution is American musical theater, which is a whole other kettle of fish.
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I think that when you're writing plays, and I think it's also true with novels, it helps to have an ear for the music of language, for what we call poetry, for the sound effects and the way that the sound can produce sensual feeling at odds with or consonant with the content of the work. Your work is also gorgeous writing. It's very unfortunate when you open a novel that everybody's loving and it's just, you know, an excruciatingly bad sentence.
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We won't die secret deaths anymore. The world only spins forward. We will be citizens. The time has come. Bye now. You are fabulous creatures, each and every one. And I bless you: More Life. The Great Work Begins.
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Here's the thing about politics: It's not an expression of your moral purity and your ethics and your probity and your fond dreams of some utopian future. Progressive people constantly fail to get this.
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Torture yourself about your failures. And then get back to work.
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Love is the world's infinite mutability; lies, hatred, murder even, are all knit up in it; it is the inevitable blossoming of its opposites, a magnificent rose smelling faintly of blood.
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I wish you would be more true to your demographic profile. Life is confusing enough.
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In this world, there is a kind of painful progress. Longing for what we've left behind, and dreaming ahead.
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It isn't easy, it doesn't count if it's easy, it's the hardest thing. Forgiveness. Which is maybe where love and justice finally meet.
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When I was younger, I used to be very impatient with anyone who wasn't doing overtly political work. I've since come to feel that some writers have an appetite or a need for the political, for political discourse, for historical political subjects.
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As a playwright, you are a torturer of actors and of the audience as well. You inflict things on people.
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I'm fairly certain when I die that the obituary will say, 'Author of 'Angels in America' dies.' Unless I'm completely forgotten, and then it won't say anything at all.
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Broadway remains the closest thing we have to a national theatre, the place where the greatest number of people can potentially see new work. For an American playwright to say it doesn't matter is simply to capitulate to the current situation.
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Respect the delicate ecology of your delusions.
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The act of thinking and interpreting is so central to Judaism that it makes more sense that we've become people like Woody Allen - thinkers and talkers and drafters of law.
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I think I'll always be a better playwright than a pundit, but I believe that writers should be public intellectuals and that theater, even more than film, is a place of public debate.
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I go into any movie that's historical fiction thinking, 'OK, I'm here to watch a work of art, something delivering a series of opinions, and if it's a good work of art, these opinions become so deeply embedded in complexity and richness that I won't even be bothered by the opinions. I'll make my own mind up.'
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I'm not a poet. I wish I was a poet but I'm not. I'm a playwright. And so I have a different set of antecedents.
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Gay writers now have both a sense of history and the fables that allows them to dwell in the realms of the ridiculous and at the same time talk seriously about things.
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I'm not religious, but I like God and he likes me.