Tony Kushner Quotes
You have a strange relationship with calamity when you're a writer: you write about it; as an artist, you objectify and fetishize it. You render life into material, and that's a creepy thing to do.
Quotes to Explore
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In my opinion - in Georgia, there's a town called Lula. And Lula, Georgia, has the best peaches.
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I love a real-life, movie moment in living color.
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I do hot yoga and TRX, a kind of suspension training.
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When I was younger, I wanted to marry early, like at 23. Year by year, I found things I wanted to do, and the thought of marriage disappeared. But I don't want to marry too late. Around 31?
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The Canadian franchises and Canada as a market for NHL hockey has always been a priority for us.
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I don't want to be 'Halsey: America's Sweetheart,' or 'Halsey: Bad Girl.' If you can sum up my career in a clickbait headline, I've done something wrong.
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I can do whatever I want.
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The more walking-around money I have, the less I walk around.
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I don't think it is so difficult to solve the problems between Cuba and the United States; it all depends on whether there is a dialogue, a discussion, or if the prejudices and hatred of people like the extremists and terrorists from the Cuban community, who try to impose their policies, prevail.
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You can observe a lot by watching.
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It is our duty, as parents and as teachers, to give all children the space to build their emotional strength and provide a strong foundation for their future.
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Aviation is proof that given, the will, we have the capacity to achieve the impossible.
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One of the satisfactions of a genius is his will-power and obstinacy.
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You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down... some sort of permanent statement about the way it feels to live now, today.
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The Tower of David is important for Israel's heritage and existence because it is more than a tower, it is a symbol. It is more important than the Azrieli Towers.
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The idea of the mulatto has been a gathering point for a wide variety of racial prejudices, fears, myths, and speculations.
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When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in charge of it; there was no one there to listen to me. I was totally in charge of what I wanted to do.
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We owe it to our children to equip them with all the capabilities they'll need to thrive in the limitless world beyond the classrooms.
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The power of music is real.
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I sometimes think that so much of our life takes place inside our heads - in memory or imagination or interpretation or speculation - that if I really want to change my life, I might best begin by changing my mind.
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If death weren't around to 'finalize' the Darwinian process, we'd all still be amoebas.
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The one thing you shouldn't do is try to tell a cab driver how to get somewhere.
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All we wanted to do was to make live records all available. For us, the idea is to make it all available and let people decide which ones they like better. It's not for us to decide. We don't care about that. What we're interested in is the idea that we made these recordings, and they're not doing anybody a damn bit of good sitting in a closet.
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You have a strange relationship with calamity when you're a writer: you write about it; as an artist, you objectify and fetishize it. You render life into material, and that's a creepy thing to do.
